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Thomas Middleton: The Collected Works
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  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2019Performances at Court in the Age of Shakespeare39 cited
  • 2014‘A ruinous monastery’:29 cited
  • 2012Three's Company: Alternative Histories of London's Theatres in the 1590s26 cited
  • 2014Screening early modern drama: beyond Shakespeare26 cited
  • 2013The Reception of Reginald Scot’s Discovery of Witchcraft: Witchcraft, Magic, and Radical Religion21 cited
  • 2014To glisten in a playhouse: cosmetic beauty indoors18 cited
  • 2019Jacobean Royal Premieres?17 cited
  • 2014Making and unmaking in early modern English drama: Spectators, aesthetics and incompletion17 cited
  • 2020Performing Early Modern Drama Beyond Shakespeare17 cited
  • 2019Pericles: A Performance, a Letter (1619)16 cited
  • 2010Shrews in Pamphlets and Plays15 cited
  • 2009A Dramaturgical Study of Merrythought's Songs in The Knight of the Burning Pestle13 cited
  • 2014Making and unmaking in early modern English drama12 cited
  • 2010Carnal Geographies: Mocking and Mapping the Religious Body12 cited

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  • 2016Cruisy Historicism: Sartorial Extravagance and Public Sexual Culture in Ben Jonson’s Every Man Out of His Humour10 cited