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Black Chant: Languages of African-American Postmodernism · Study

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ArticleBlack Chant: Languages of African-American Postmodernism

Lorenzo Thomas2000

OA

Articlegreen2000

Black Chant: Languages of African-American Postmodernism

Lorenzo Thomas · Aldon Lynn Nielsen

85 citations·0/0 files stored·African American Review

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Poetry Analysis and Criticism Race, History, and American Society Caribbean and African Literature and Culture

Abstract

A critical examination of innovative African American poetries in the post WWII era.

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References

1994The Black Atlantic: Modernity and Double Consciousness 1992Postmodernism, or, The Cultural Logic of Late Capitalism 1940The Black Jacobins. Toussaint L'Ouverture and the San Domingo Revolution.1983Orality and Literacy: The Technologizing of the Word 2012Outside in the Teaching Machine 2019From Zami: A New Spelling of My Name 1983The Imaginary Signifier: Psychoanalysis and the Cinema 2018What Is This “Black” in Black Popular Culture? [1992]

Cited by

2009Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic 2017Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature 2005Public Subjects: Race and the Critical Reception of Gwendolyn Brooks, Erica Hunt, and Harryette Mullen 2003American women poets in the 21st century: where lyric meets language 2004“Always New and Centuries Old”: Jazz, Poetry, and Tradition as Creative Adaptation 2005

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Details

Year2000

Typearticle

Published2000-01-01

VenueAfrican American Review

ISSN-L1062-4783

Languageen

Citations85

Files0 public / 0

ShelfPoetry Analysis and Criticism

Identifiers

doi10.2307/2901193

openalex_workW1525808251

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The Blackness of Blackness. .. Reading the Typography of Invisible Man

2016Foodways in Contemporary African American Poetry: Harryette Mullen and Evie Shockley

2000Langston Hughes and the “Nonsense” of Bebop