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The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?
0 references·11 citing·40 second hop
The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism? (2005)The Woman Warrior versus The Chinaman Pac…That’s My Man! Overlapping Masculinities in Korean Popular Music (2014)That’s My Man! Overlapping Ma…Indispensable Labor: The Worker as a Category of Critique in China Men (2010)Indispensable Labor: The Work…What’s “Chinese” in Chinese Diasporic Literature? (2005)What’s “Chinese” in Chinese D…Antiracism in the Cosmopolis: Race, Class, and Gender in the Lives of Elite Chinese Canadian Women (2005)Antiracism in the Cosmopolis:…Sui Sin Far and the Chinese American Canon: Toward a Post-Gender-Wars Discourse (2004)Sui Sin Far and the Chinese A…Literary Genre as Ethnic Resistance in Maxine Hong Kingston's Tripmaster Monkey: His Fake Book (2004)Literary Genre as Ethnic Resi…The Female Individual and the Empire: A Historicist Approach to Mulan and Kingston's Woman Warrior (2003)The Female Individual and the…Sentimentalism and Sui Sin Far (2003)Sentimentalism and Sui Sin FarGender and Sexuality in Asian American Literature (1999)Gender and Sexuality in Asian…China Man Autoeroticism and the Remains of Asian America (1998)China Man Autoeroticism and t…In the Shadows of a Diva: Committing Homosexuality in David Henry Hwang's M. Butterfly (1994)In the Shadows of a Diva: Com…“The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?” Conflicts in Feminism. Ed. Marianne Hirsch and Evelyn Fox Keller. New York: Routledge, 1990. 234-251 (1991)Operation Shylock: A Confession (1995)Toni Morrison, Oprah Winfrey, and Postmodern Popular Audiences (2001)Maxine Hong Kingston: The Ethnic Writer and the Burden of Dual Authenticity (1990)Imagining the Nation (1998)Kingston, Maxine Hong (1998)Cultural “Authenticity” as a Conflict-Ridden Hypotext: Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis (2020)The Woman Warrior: Memoirs of a Girlhood Among Ghosts (1976)Reading the Literatures of Asian America. (1993)Orientals: Asian Americans in popular culture (1999)The Chinese Exotic (2007)Chinese Masculinities and Material Culture (2008)Mother-Weights and Lost Fathers (2012)Asian American Literature: An Introduction to the Writings and Their Social Context (1984)Asian Americans: an interpretive history (1991)The Big Aiiieeeee!: An Anthology of Chinese American and Japanese American Literature (1992)Transnationalism at the Impasse of Race: Sui Sin Far and U.S. Imperialism (2010)Marxism and the Interpretation of Culture (1400)Immigrant Acts: On Asian American Cultural Politics. (1997)Can the Subaltern Speak? (2003)Disease, Disability, and the Alien Body in the Literature of Sui Sin Far (2013)Antiracist Medievalisms (2021)Culture and Imperialism. (1994)Aberrations in Black: Toward a Queer of Color Critique (2003)The Wages of Whiteness (2017)Epistemology of the Closet (1990)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Bodies That Matter (2011)TOWARD A DIASPORIC CITIZEN? (2011)Three Essays on the Theory of Sexuality (1905)Strangers From A Different Shore: A History of Asian Americans. (1990)Beyond Multiculturalism: Ethnic Studies, Transnationalism, and Junot Díaz’s Oscar Wao (2012)Cool Pose: The Dilemmas of Black Manhood in America. (1993)What is hegemonic masculinity? (1993)Hegemonic Masculinity (2005)Shin-Ōkubo as a feminine ‘K-pop space’: gendering the geography of consumption of K-pop in Japan (2020)“The Model Man:” Shifting Perceptions of Asian American Masculinity and the Renegotiation of a Racial Hierarchy of Desire (2021)The Predicament of Culture (1988)New reflections on the revolution of our time (1992)The Location of Culture (2012)
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Cited by

  • 1999Gender and Sexuality in Asian American Literature44 cited
  • 2003The Female Individual and the Empire: A Historicist Approach to Mulan and Kingston's Woman Warrior23 cited
  • 2003Sentimentalism and Sui Sin Far21 cited
  • 1994In the Shadows of a Diva: Committing Homosexuality in David Henry Hwang's M. Butterfly19 cited
  • 2014That’s My Man! Overlapping Masculinities in Korean Popular Music19 cited
  • 1998China Man Autoeroticism and the Remains of Asian America13 cited
  • 2005Antiracism in the Cosmopolis: Race, Class, and Gender in the Lives of Elite Chinese Canadian Women11 cited
  • 2004Sui Sin Far and the Chinese American Canon: Toward a Post-Gender-Wars Discourse8 cited
  • 2004Literary Genre as Ethnic Resistance in Maxine Hong Kingston's Tripmaster Monkey: His Fake Book6 cited
  • 2010Indispensable Labor: The Worker as a Category of Critique in China Men5 cited
  • 2005What’s “Chinese” in Chinese Diasporic Literature?5 cited

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