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Cited by

• 2006A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity90 cited
• 1996The Farewell Story of Mahler's Ninth Symphony43 cited
• 2013The Viennese symphony 1750 to 182735 cited
• 1988Mahler's "Todtenfeier" and the Problem of Program Music29 cited
• 1996Max Kalbeck and Gustav Mahler23 cited
• 2024The Tenderness of Silent Minds23 cited
• 2013The Cambridge Companion to the Symphony22 cited
• 1995Aus alten Märchen: The Chivalric Style of Schumann and Brahms14 cited
• 1987The Reception of Gustav Mahler's Wunderhorn Lieder10 cited
• 1992Das Lied von der Erde: Mahler's Symphony for Voices and Orchestra - or Piano6 cited
• 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
• 2011Gustav Mahler's Second Century: Achievements in Scholarship and Challenges for Research4 cited
• 2013Other classical repertories4 cited
• 2015Mahler's Early Summer Journeys through Vienna, or What Anthropomorphized Nature Tells Us4 cited
• 2012The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century