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Cited by

• 2009Movement Training for the Modern Actor47 cited
• 2009Movement training for the modern actor39 cited
• 2001The Masks of Greek Tragedy as Point of Departure for Modern Performance25 cited
• 2017Stalking the calm buzz: how the polyvagal theory links stage presence, mammal evolution, and the root of the vocal nerve15 cited
• 2016Actor training and emotions: Finding a balance8 cited
• 2021Supporting the performance of Noongar language inHecate7 cited
• 2016The role of ‘presence’ in training actors’ voices17 cited
• 2017Negotiating the contrary craft of the triple-threat6 cited
• 2016Breath, tremoring, and performance anxiety: How can Fitzmaurice Voicework’s Destructuring address performance anxiety in undergraduate acting training?6 cited
• 2016Autoethnography and voicework4 cited
• 2017Applied Dialectology3 cited