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Cited by

• 2014Staging atmospheres: Materiality, culture, and the texture of the in-between388 cited
• 2012The Construction of Emotion in Interactions, Relationships, and Cultures373 cited
• 2012Holding a mirror up to nature: Psychological vulnerability in actors.64 cited
• 2019Is There Such a Thing as an “Atmospheric Turn”? Instead of an Introduction37 cited
• 2012“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds29 cited
• 2013Gesture and body-movement as teaching and learning tools in the classical voice lesson: a survey into current practice23 cited
• 2015Acting the metaphor: the Laban–Malmgren system of movement psychology and character analysis9 cited
• 2019Embodied Cognition in Performance: The Impact of Michael Chekhov’s Acting Exercises on Affect and Height Perception8 cited
• 2016Actor training and emotions: Finding a balance8 cited
• 2015Keywords in performer training6 cited
• 2017‘Straight-looking, straight-acting’: countering effemiphobia in acting training6 cited
• 2017Gesture and body-movement as teaching and learning tools in Western classical singing5 cited