The Stanislavsky system of acting: legacy and influence in modern performance

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Theatre and Performance Studies Cinema History and Criticism Arts and Performance Studies

Abstract

Preface 1. Science, nature and acting: the context for Stanislavsky and the system 2. Experiencing: the emotional and spiritual actor 3. Incarnation: the actor as machine 4. Challenges to the system: Vakhtangov and Michael Chekhov 5. Challenges to the system: Meyerhold 6. Theory and practice of the system: Stanislavsky and Soviet science.

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