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The Stanislavsky system of acting: legacy and influence in modern performance
0 references·8 citing·32 second hop
The Stanislavsky system of acting: legacy and influence in modern performance (2009)The Stanislavsky system of acting: legacy…The Beethoven Syndrome (2020)The Beethoven SyndromeRediscovering Stanislavsky (2019)Rediscovering StanislavskyA Psychological Exploration of the Experience of Acting (2019)A Psychological Exploration o…Towards a 20th Century History of Relationships between Theatre and Neuroscience (2014)Towards a 20th Century Histor…The Cambridge introduction to theatre directing (2014)The Cambridge introduction to…“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds (2012)“Disciplined Improvisation” i…Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile (2010)Alba Emoting and emotional me…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…The Theater and Its Double (1958)The Empty Space (1968)Towards a Poor Theatre (2012)Political Theatre in Europe: East to West, 2007–2014 (2016)To the Actor. On the Technique of Acting (1954)Improvisation for the Theater: A Handbook of Teaching and Directing Techniques (1972)Signs of Performance: An Introduction to Twentieth-Century Theatre (1996)Rhetoric (2020)The Player's Passion (1993)An Actor's Work (2008)Exploring Bodily Reactions: Embodied Pedagogy as an Alternative for Conventional Paradigms of Acting in Youth Theatre Education (2015)Diderot’s body and cognitive science: sensation, impulse and action in performer training (2016)Stanislavski, emotion and the future of the UK conservatoire (2017)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Uplift, Gender, and Scott Joplin's Treemonisha (2015)The Player's Passion: Studies in the Science of Acting (1986)Dexterity and its development (1996)Mirrors in the Brain—How Our Minds Share Actions and Emotions (2007)Beyond boredom and anxiety (1975)Flow: The Psychology of Optimal Experience (1991)Diagnostic and Statistical Manual of Mental Disorders (2013)Brecht on Theatre: The Development of an Aesthetic (1964)The Sacred and The Profane: The Nature of Religion (1987)The Cultural Front (1992)Teaching Stanislavsky: periodization and the formation of theatre canons (2020)Konstantin Stanislavski and Emile Jaques-Dalcroze: historical and pedagogical connections between actor training and music education (2021)“Music, singing, word, action”: the Opera-Dramatic Studio 1935–1938 (2023)Sources of the self: the making of the modern identity (1990)The Structure of Scientific Revolutions (1996)The New Grove dictionary of music and musicians (2001)
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Cited by

  • 2012“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds29 cited
  • 2019Rediscovering Stanislavsky25 cited
  • 2020The Beethoven Syndrome16 cited
  • 2019A Psychological Exploration of the Experience of Acting14 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2014The Cambridge introduction to theatre directing12 cited
  • 2010Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile11 cited
  • 2014Towards a 20th Century History of Relationships between Theatre and Neuroscience5 cited

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