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Cited by

• 2020Characterisation and durability of contemporary unsized Xuan paper38 cited
• 2018Colours and pigments in late ukiyo-e art works: A preliminary non-invasive study of Japanese woodblock prints to interpret hyperspectral images using in-situ point-by-point diffuse reflectance spectroscopy37 cited
• 2019A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue33 cited
• 2017Characterization of Yellow and Red Natural Organic Colorants on Japanese Woodblock Prints by EEM Fluorescence Spectroscopy33 cited
• 2010Inscriptions, filing, grinding and polishing marks on the bronze weapons from the Qin Terracotta Army in China31 cited
• 2008Examination of pigments on Thai manuscripts: the first identification of copper citrate30 cited
• 2012Copper trihydroxychlorides as pigments in China29 cited
• 2016The origins of the Selden map of China: scientific analysis of the painting materials and techniques using a holistic approach26 cited
• 2012A note on Prussian blue in nineteenth-century Canton17 cited
• 2022Studying Saraha: Technical and Multi-Analytical Investigation of the Painting Materials and Techniques in an 18th Century Tibetan Thangka14 cited
• 2011Determination of the Annual Light Exposure Received by Two-Dimensional Museum Objects Displayed on Vertical Surfaces using Photometric Measurements5 cited