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Cited by

• 2017The Routledge Handbook of Global Cultural Policy75 cited
• 2006Attendance and Public Participation in the Performing Arts: A Review of the Empirical Literature72 cited
• 2003The Impacts of Culture on the Economic Development of Cities59 cited
• 2012Who benefits from public funding of the performing arts? Comparing the art provision and the hegemony–distinction approaches56 cited
• 2009Measuring intrinsic value { how to stop worrying and love economics44 cited
• 2019Arts and Culture41 cited
• 2012Managing Networks of Creativity41 cited
• 2006Chapter 34 The Making of Cultural Policy: A European Perspective32 cited
• 2017Creatives' expectations: The role of supercreatives in cultural district development31 cited
• 2015The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions30 cited
• 2011The happy artist? An empirical application of the work-preference model29 cited
• 2005Are there Limits to Financing Culture through the Market? Evidence from the U.S. Museum Field23 cited
• 2002In Art we trust20 cited
• 2006Chapter 36 Tax Incentives in Cultural Policy19 cited