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The Non-Dramatic Works of Thomas Dekker
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  • 1991The Reputation of Robert Cecil: Libels, Political Opinion and Popular Awareness in the Early Seventeenth Century95 cited
  • 2010Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?41 cited
  • 2007Playing the Tourist in Early Modern London: Selling the Liberties Onstage19 cited
  • 2011Crowd Control16 cited
  • 2010Carnal Geographies: Mocking and Mapping the Religious Body12 cited
  • 2005Syphilis in Faerie Land: Edmund Spenser and the Syphilography of Elizabethan England9 cited
  • 1940Anthony Nixon: Jacobean Plagiarist and Hack8 cited
  • 2006The Jew of Malta and the Diabolic Power of Theatrics in the 1580s6 cited
  • 2001Idolatry and Commodity Fetishism in The Antitheatrical Controversy6 cited
  • 2001Gender, Hunger, Horror: The History and Significance of The Bloody Banquet6 cited
  • 2012Coming of Age on Stage: Jonson’s Epicoene and the Politics of Childhood in Early Stuart England5 cited
  • 2011Laughter in the Time of Plague: A Context for the Unstable Style of Nashe’s Christ’s Tears over Jerusalem5 cited
  • 2005The Alchemist and the Emerging Adult Private Playhouse4 cited
  • 2008"Lord Have Mercy Upon Us": The King, the Pestilence, and Shakespeare'sMeasure for Measure

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4 cited
  • 2010Celebrating Idleness: Antony and Cleopatra and Play Theory4 cited
  • 1971Thomas Dekker's Twelfth Night3 cited