Performing Blackness: Enactments of African-American Modernism

Kimberley W. Benston

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Modernist Literature and Criticism Theater, Performance, and Music History Arts and Performance Studies

Abstract

Prologue 1. Will the Circle Be Unbroken?: Drama and the Quest for Community 2. Blow into the Freezing Night: Expressive Agency in Coltrane and the Coltrane poem 3. Find the Self, Then Kill it: Scripts and Scores of Self-Enactment 4. I Was Myself Within the Circle: Vernacular and Critical Paradigms of Expressive Agency Epilogue

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2001Ways of Seeing: Beyond the New Nativism. Introduction 2015Freedom time: the poetics and politics of black experimental writing 2011The Cambridge History of African American Literature 2013Publishing blackness: textual constructions of race since 1850 2009“Spectacles in Color”: The Primitive Drag of Langston Hughes 2005The Blackness of Blackness. .. Reading the Typography of Invisible Man 2011The African American Theatrical Body: Reception, Performance, and the Stage 2013The Poetics of Chant and Inner/Outer Space:

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