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Cited by

• 2001Ways of Seeing: Beyond the New Nativism. Introduction129 cited
• 2015Freedom time: the poetics and politics of black experimental writing125 cited
• 2011The Cambridge History of African American Literature124 cited
• 2013Publishing blackness: textual constructions of race since 185048 cited
• 2009“Spectacles in Color”: The Primitive Drag of Langston Hughes30 cited
• 2005The Blackness of Blackness. .. Reading the Typography of Invisible Man25 cited
• 2011The African American Theatrical Body: Reception, Performance, and the Stage22 cited
• 2013The Poetics of Chant and Inner/Outer Space:20 cited
• 2001[Ed.] Bullins as Editorial Performer: Textual Power and the Limits of Performance in the Black Arts Movement17 cited
• 2015Jazz and the critical potential of heteronomous expressive form14 cited
• 2010The Jazz Image13 cited
• 2005The Challenge of the Changing Same: The Jazz Avant-Garde of the 1960s, the Black Aesthetic and the Black Arts Movement12 cited
• 2007Transgressing Boundaries: Making Theatre from an Afropolitan Perspective6 cited
• 2013Blackface and the Black Arts Movement5 cited