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Stomping the Blues
0 references·16 citing·50 second hop
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  • 2009Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic163 cited
  • 2013Empire of Dirt: The Aesthetics and Rituals of British Indie Music110 cited
  • 1996Hip hop: from live performance to mediated narrative95 cited
  • 2002Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry90 cited
  • 2008Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing80 cited
  • 1995Wrestling Angels into Song65 cited
  • 2011Goal-Directed Soul? Analyzing Rhythmic Teleology in African American Popular Music62 cited
  • 2000Notes on Poetics Regarding Mackey's Song53 cited
  • 2007Finding an alternative: Music programming in US college radio40 cited
  • 1996Culture as an evolutionary arena34 cited
  • 2002The Role of the Blues in Gayl Jones's Corregidora34 cited
  • 2007Appropriating Universality: The Coltranes and 1960s Spirituality28 cited
  • 2011Back Door Man: Howlin’ Wolf and the Sound of Jim Crow27 cited
  • 1994Funk music as genre: Black aesthetics, apocalyptic thinking and urban protest in post-1965 African-American pop24 cited

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2002
"Shoot Myself a Cop": Mamie Smith's "Crazy Blues" as Social Text
22 cited
  • 2011The African American Theatrical Body: Reception, Performance, and the Stage22 cited