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Research Article| July 01 2020 Circulation, Value, Exchange, and Music Timothy D. Taylor Timothy D. Taylor UCLA Timothy D. Taylor is a professor in the Department of Ethnomusicology at UCLA. He is the author of numerous articles and books, including: Global Pop: World Music, World Markets (Routledge, 1997), Strange Sounds: Music, Technology and Culture (Routledge, 2001), Beyond Exoticism: Western Music and the World (Duke, 2007), The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture (Chicago, 2012), Music and Capitalism: A History of the Present (Chicago, 2016), Music in the World: Selected Essays (Chicago, 2017), and editor, with Mark Katz and Tony Grajeda, of Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio (Duke, 2012). Current book projects include an ethnographic study of film and television musicians in Los Angeles, and co-editing, with Anna Morcom, The Oxford Handbook of Economic Ethnomusicology. Search for other works by this author on: This Site Google Ethnomusicology (2020) 64 (2): 254–273. https://doi.org/10.5406/ethnomusicology.64.2.0254 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Timothy D. Taylor; Circulation, Value, Exchange, and Music. Ethnomusicology 1 January 2020; 64 (2): 254–273. doi: https://doi.org/10.5406/ethnomusicology.64.2.0254 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search The text of this article is only available as a PDF. Copyright 2020 by the Board of Trustees of the University of Illinois2020 Article PDF first page preview Close Modal You do not currently have access to this content.
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