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Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera
14 references·1 citing·29 second hop
Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera (2008)Verdi and the French Aesthetic: Verse, St…Divas and scholars: performing Italian opera (2007)Divas and scholars: performin…The Cambridge Companion to Verdi (2004)The Cambridge Companion to Ve…French music from the Enlightenment to Romanticism, 1789-1830 (1997)French music from the Enlight…Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 1834–80 (1995)Music Criticism in Nineteenth…Listening in Paris: A Cultural History. (1995)Listening in Paris: A Cultura…La metrica italiana (1991)La metrica italianaThe Rhythms of Tonal Music (1990)The Rhythms of Tonal MusicGenre and content in mid-century Verdi: ‘Addio, del passato’ (La traviata, Act III) (1989)Genre and content in mid-cent…"La solita forma" and "The Uses of Convention" (1987)"La solita forma" and "The Us…Verdi in the Age of Italian Romanticism (1982)Verdi in the Age of Italian R…The Stratification of Musical Rhythm (1976)The Stratification of Musical…Versificazione italiana dalle origini ai giorni nostri (1973)Versificazione italiana dalle…The Rhythmic Structure of Music (1962)The Rhythmic Structure of Mus…Bericht uber den internationalen musikwissenschaftlichen Kongress Hamburg, 1956 (1958)Bericht uber den internationa…The Language of National Style (2015)The Language of National StyleWagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production (2011)The Operatic Canon (2015)Female Singers on the French Stage, 1830–1848 (2018)Italianate duets in Meyerbeer's grand Operas (1989)Becoming a citizen: The chorus inRisorgimentoopera (1990)Social control and the censorship of Giuseppe Verdi's operas in Rome (1844–1859) (1999)Peripheral Polyphony of the 13th Century (1964)"Aber eben dieser Zweifel": A New Look at Mendelssohn's "Italian" Symphony (1992)Confrérie, Bruderschaft and guild: the formation of musicians' fraternal organisations in thirteenth- and fourteenth-century Europe (1995)Computing in musicology, 1966?91 (1991)Creativity in Music Listening (2006)Measuring a Measure (2016)Art As Collective Action (1974)Music and Language (1994)Correlates of linguistic rhythm in the speech signal (1999)Music Lovers (2001)After Adorno : rethinking music sociology (2003)Soundscapes: Toward a Sounded Anthropology (2010)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Fantasy Pieces (1999)Formal Functions of Metric Dissonance in Rock Music (2014)What the Sorcerer Said (1989)Verismo: Origin, Corruption, and Redemption of an Operatic Term (2007)The Cambridge History of Christianity (2001)Interpreting the Musical Past (2008)The Cambridge Companion to French Music (2015)The Puccini Problem: Opera, Nationalism, and Modernity (2007)Verdi, Opera, Women (2013)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)
this work references cited by second hop

References

  • 1962The Rhythmic Structure of Music521 cited
  • 1995Listening in Paris: A Cultural History.329 cited
  • 1976The Stratification of Musical Rhythm233 cited
  • 1997French music from the Enlightenment to Romanticism, 1789-1830132 cited
  • 1982Verdi in the Age of Italian Romanticism113 cited
  • 1987"La solita forma" and "The Uses of Convention"87 cited
  • 1958Bericht uber den internationalen musikwissenschaftlichen Kongress Hamburg, 195665 cited
  • 2007Divas and scholars: performing Italian opera62 cited
  • 2004The Cambridge Companion to Verdi59 cited
  • 1990The Rhythms of Tonal Music54 cited
  • 1995Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 1834–8050 cited
  • 1989Genre and content in mid-century Verdi: ‘Addio, del passato’ (La traviata, Act III)40 cited
  • 1991La metrica italiana14 cited
  • 1973Versificazione italiana dalle origini ai giorni nostri9 cited

Cited by

  • 2015The Language of National Style11 cited

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