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Cited by

• 2000Africa and orality140 cited
• 1998Izibongo – the political art of praising: poetical socio‐regulative discourse in Zulu society106 cited
• 2015Reconceptualising Poetry as a Multimodal Genre39 cited
• 2012Student voice as a methodological issue in academic literacies research28 cited
• 1974Praise Poems as Historical Data: the Example of the Yoruba Oríkí25 cited
• 2010A Concise Companion to Postcolonial Literature24 cited
• 2001?It's a Great Song!?Hal�Performance as Literary Production23 cited
• 1971“Scop” and “Imbongi”—Anglo-Saxon and Bantu Oral Poets22 cited
• 1971Shona Traditional Poetry20 cited
• 1986Criminals and the african cultural imagination: normative and deviant heroism in pre-colonial and modern narratives19 cited
• 2005Perceived oppression of women in Zulu folklore: a feminist critique19 cited
• 1988Power house, prison house — an oral genre and its use in Isaiah Shembe's Nazareth Baptist church14 cited
• 1995Orality and Christianity: The hymns of Isaiah Shembe and the church of the Nazarites9 cited
• 2010The role of indigenous African choral music in the search for identity: With special reference to Mzilikazi Khumalo's music6 cited