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A PART TO PLAY?
15 references·9 citing·37 second hop
A PART TO PLAY? (2006)A PART TO PLAY?Doing the Arts Justice: A Review of Research Literature, Practice and Theory (2005)Doing the Arts Justice: A Rev…Review essay (2004)Review essayGovernment and the value of culture. (2004)Government and the value of c…Lambert Review of Business-University Collaboration: Final Report (2003)Lambert Review of Business-Un…Cultural Policy Studies (2003)Cultural Policy StudiesCritical Cultural Policy Studies (2003)Critical Cultural Policy Stud…The politics of data collection: Gathering, analysing and using data about the subsidised cultural sector in England (2002)The politics of data collecti…Researching Learning in Museums and Galleries 1990-1999: A Bibliographic Review (2002)Researching Learning in Museu…Impact evaluation of museums, archives and libraries: available evidence project. (2002)Impact evaluation of museums,…Critical Cultural Policy Studies : A Reader (2002)Critical Cultural Policy Stud…Beyond the division of attenders vs. non-attenders : a study into audience development in policy and practice (2000)Beyond the division of attend…Use or Ornament?: The Social Impact of Participation in the Arts (1997)Use or Ornament?: The Social …The cultural industries sector Its definition and character from secondary sources on employment and trade, Britain 1984-1991 (1997)The cultural industries secto…The economic importance of the arts in Britain (1988)The economic importance of th…The Only Game in Town (1971)The Only Game in TownFrom Inconsistencies to Contingencies -Understanding Policy Complexity of Novi Sad 2021 European Capital of Culture (2018)From Inconsistencies to Conti…Researchers, bureaucrats and the lifeworlds of cultural policy (2017)Researchers, bureaucrats and …Shaping screen talent: Conceptualising and developing the film and TV workforce in Scotland (2015)Shaping screen talent: Concep…Problematising a homogenous spatial logic for the creative industries (2013)Problematising a homogenous s…Bridging and bonding: social capital at music festivals (2011)Bridging and bonding: social …Tracing British cultural policy domains: contexts, collaborations and constituencies (2010)Tracing British cultural poli…Theory-based evaluation and the social impact of the arts (2009)Theory-based evaluation and t…Editorial (2008)EditorialINTELLECTUALS, ROMANTICS AND CULTURAL POLICY (2006)INTELLECTUALS, ROMANTICS AND …Frames of Mind: The Theory of Multiple Intelligences (1984)Gaps, silences and comfort zones: dominant paradigms in educational drama and applied theatre discourse (2014)The Power of Music (2022)Cultural policy and urban regeneration: the West European experience (1995)The Audit Society (1999)The Audit Society: Rituals of Verification (1999)Social stratification and cultural consumption: The visual arts in England (2007)Studying up (2020)Bowling alone (2000)Bowling alone: the collapse and revival of American community (2000)Distinction: A Social Critique of the Judgement of Taste* (2018)The Comparative Method: Moving Beyond Qualitative and Quantitative Strategies (1989)Systematic reviews in the social sciences: a practical guide (2006)The participation and decision making of ‘at risk’ youth in community music projects: an exploration of three case studies (2011)A Realist Theory of Science (2013)New local cultural policy evaluation methods in the Netherlands: status and perspectives (2013)Ownership, Failure, and Experience: Goals and Evaluation Metrics of University-Based Arts Venture Incubators (2014)Social Research: Issues, Methods and Process. 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this work references cited by second hop

References

  • 1971The Only Game in Town855 cited
  • 2003Lambert Review of Business-University Collaboration: Final Report553 cited
  • 1997Use or Ornament?: The Social Impact of Participation in the Arts552 cited
  • 1988The economic importance of the arts in Britain270 cited
  • 2004Government and the value of culture.115 cited
  • 2002Critical Cultural Policy Studies : A Reader99 cited
  • 2005Doing the Arts Justice: A Review of Research Literature, Practice and Theory87 cited
  • 2002The politics of data collection: Gathering, analysing and using data about the subsidised cultural sector in England85 cited
  • 2003Critical Cultural Policy Studies85 cited
  • 2002Impact evaluation of museums, archives and libraries: available evidence project.74 cited
  • 2004Review essay59 cited
  • 2002Researching Learning in Museums and Galleries 1990-1999: A Bibliographic Review54 cited
  • 2000Beyond the division of attenders vs. non-attenders : a study into audience development in policy and practice52 cited
  • 1997The cultural industries sector Its definition and character from secondary sources on employment and trade, Britain 1984-199143 cited
  • 2003Cultural Policy Studies41 cited

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Cited by

  • 2011Bridging and bonding: social capital at music festivals133 cited
  • 2009Theory-based evaluation and the social impact of the arts92 cited
  • 2010Tracing British cultural policy domains: contexts, collaborations and constituencies26 cited
  • 2006INTELLECTUALS, ROMANTICS AND CULTURAL POLICY20 cited
  • 2015Shaping screen talent: Conceptualising and developing the film and TV workforce in Scotland10 cited
  • 2017Researchers, bureaucrats and the lifeworlds of cultural policy8 cited
  • 2018From Inconsistencies to Contingencies -Understanding Policy Complexity of Novi Sad 2021 European Capital of Culture5 cited
  • 2013Problematising a homogenous spatial logic for the creative industries4 cited
  • 2008Editorial2 cited