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NEGOTIATING A COMMON TRANSNATIONAL SPACE
16 references·3 citing·28 second hop
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this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2019On the Postcolony2,724 cited
  • 2001On the Postcolony1,748 cited
  • 1968Social and Economic Studies1,735 cited
  • 1969Soulside: Inquiries into Ghetto Culture and Community702 cited
  • 1991The Nation-State and Its Others: In Lieu of a Preface610 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 2001Wake the Town and Tell the People: Dancehall Culture in Jamaica358 cited
  • 2020World Music: A Very Short Introduction199 cited
  • 2002World Music182 cited
  • 1978Caribbean cultural identity : the case of Jamaica : an essay in cultural dynamics182 cited
  • 1998Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture174 cited
  • 2002Wake the Town and Tell the People: Dancehall Culture in Jamaica130 cited
  • 2005Internationalizing cultural studies : an anthology93 cited
  • 2005Soweto blues: jazz, popular music, and politics in South Africa92 cited

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Cited by

  • 2020Affective cosmopolitanisms in Singapore: Dancehall and the decolonisation of the self17 cited
  • 2020Free bodies, segmented selves: Paradoxical spaces of dancehall culture in Singapore10 cited
  • 2017‘Before you're a DJ, you're a woman’: navigating gendered space, society and music as a female DJ in Johannesburg’5 cited