Soweto blues: jazz, popular music, and politics in South Africa

Gwen Ansell

92 citations0/0 files storedChoice Reviews Online

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis South African History and Culture

Abstract

Introduction Chapter 1: Where it All Started Chapter 2: New Sounds of the Cities Chapter 3: Athens on the Reef Chapter 4: The Land is Dead Chapter 5: Underground in Africa Chapter 6: Jazz for the Struggle, and the Struggle for Jazz Chapter 7: Home Is Where the Music Is: South African Jazz Abroad Chapter 8: The 1990s and Beyond: Not Yet Uhuru Appendix: Interviewees and Recordings Glossary Bibliography Index.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 92 citations exist upstream.

Cited by

2014Changing Space, Changing City 2009NEGOTIATING A COMMON TRANSNATIONAL SPACE 2012The Voice of (Which?) Africa: Miriam Makeba in America 2012Body Politic: The Emergence of a “KwaitoNation” in South Africa 2006The New African Diaspora, the Built Environment and the Past in Jazz 2007South Africa and American Jazz: Towards a Polyphonic Historiography 2019The Global Politics of Jazz in the Twentieth Century 2018The Musical Diplomacy of a Landless Ambassador: Hugh Masekela between Monterey ’67 and Zaire ’74

Imported from OpenAlex (CC0) — nothing here is generated.