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You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’.
16 references·1 citing·30 second hop
You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. (2013)You Say Invisible, I Say Ubiquitous: A (F…The Affect Theory Reader (2010)The Affect Theory ReaderThe Affective Turn: Theorizing the Social (2008)The Affective Turn: Theorizin…The Affective Turn (2007)The Affective TurnRace music: black cultures from bebop to hip-hop (2004)Race music: black cultures fr…Intensities of feeling: towards a spatial politics of affect (2004)Intensities of feeling: towar…Sound of Africa! Making Music Zulu in a South African Studio (2003)Sound of Africa! Making Music…Parables for the virtual: movement, affect, sensation (2002)Parables for the virtual: mov…Suspensions of perception: Attention, spectacle, and modern culture (2001)Suspensions of perception: At…Suspensions of Perception: Attention, Spectacle, and Modern Culture (2000)Suspensions of Perception: At…Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (2000)Hearing Film: Tracking Identi…Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space (1997)Sounds like the Mall of Ameri…Queering the pitch: the new gay and lesbian musicology (1995)Queering the pitch: the new g…SCOPIC REGIMES OF MODERNITY (1988)SCOPIC REGIMES OF MODERNITYThe walkman effect (1984)The walkman effectThe Sociology of Rock (1979)The Sociology of RockIntroduction to the Sociology of Music. (1977)Introduction to the Sociology…Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the musicological margins (2020)Center for Popular Music Rese…The expression of the emotions in man and animals. (1872)Upheavals of Thought (2001)Parables for the Virtual (2002)Passenger Mobilities: Affective Atmospheres and the Sociality of Public Transport (2010)Current sociological theories and issues in tourism (2012)Theorizing emotions in world politics (2014)The Tourist Gaze “Revisited” (1992)What is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games (2006)Scopic regimes and the visual turn in International Relations: Seeing world politics through the drone (2018)Affiliation and alienation: hip‐hop, rap, and urban science education (2009)“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture (2010)Loving Music Till It Hurts (2019)Parental Mediation Theory for the Digital Age (2011)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)The New Materialisms and Indigenous Theories of Non-Human Agency: Making the Case for Respectful Anti-Colonial Engagement (2019)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters (2012)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Data Derivatives (2011)Managing affects and sensibilities: The case of not-handshaking and not-fasting (2009)Ethics and value in customer co-production (2011)Value in Informational Capitalism and on the Internet (2012)Film Festivals : From European Geopolitics to Global Cinephilia (2007)The Quadruple Object (2011)Posthuman Humanities (2013)Club cultures: music, media and subcultural capital (1996)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Collective Feelings (2004)Affective atmospheres (2009)
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References

  • 2002Parables for the virtual: movement, affect, sensation3,771 cited
  • 2010The Affect Theory Reader2,213 cited
  • 2004Intensities of feeling: towards a spatial politics of affect1,922 cited
  • 2007The Affective Turn1,767 cited
  • 2008The Affective Turn: Theorizing the Social761 cited
  • 1988SCOPIC REGIMES OF MODERNITY751 cited
  • 2000Suspensions of Perception: Attention, Spectacle, and Modern Culture670 cited
  • 1977Introduction to the Sociology of Music.663 cited
  • 2001Suspensions of perception: Attention, spectacle, and modern culture551 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 2000Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music325 cited
  • 1997Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space270 cited
  • 1984The walkman effect262 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 1979The Sociology of Rock205 cited
  • 2003Sound of Africa! Making Music Zulu in a South African Studio186 cited

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Cited by

  • 2020Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the musicological margins2 cited