Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music

Anahid Kassabian

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Musicology and Musical Analysis Cinema History and Criticism Music History and Culture

Abstract

Acknowledgements Listening for identifications: A Prologue 1.How film music works 2.How music works in film 3.A woman scored 4.At the twilight's last scoring 5.Opening scores Tracking identifications: An Epilogue Appendices Works Cited Videos Cited Endnotes

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2010Soundscapes: Toward a Sounded Anthropology 2010The Non-diegetic Fallacy: Film, Music, and Narrative Space 2010The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene 2009Diegetic/Nondiegetic: A Theoretical Model 2009Music as a communicative medium 2013The End of Diegesis As We Know It?2002Is Funny Music Funny? Contexts and Case Studies of Film Music Humor 2006Semiotics, Pragmatics, and Metaphor in Film Music Analysis

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