SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music
0 references·16 citing·48 second hop
Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (2000)Hearing Film: Tracking Identifications in…Gender-Konstruktion durch Filmmusik (2023)Gender-Konstruktion durch Fil…The Cambridge Companion to Film Music (2016)The Cambridge Companion to Fi…The Semantics of Musical Topoi (2015)The Semantics of Musical TopoiThe End of Diegesis As We Know It? (2013)The End of Diegesis As We Kno…Introduction: Gender, Sexuality, and the Soundtrack (2012)Introduction: Gender, Sexuali…Inside/Outside the Klein Bottle (2012)Inside/Outside the Klein Bott…Understanding the Score: Film Music Communicating to and Influencing the Audience (2010)Understanding the Score: Film…The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene (2010)The Vibrations of Affect and …The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)The Non-diegetic Fallacy: Fil…Soundscapes: Toward a Sounded Anthropology (2010)Soundscapes: Toward a Sounded…Music as a communicative medium (2009)Music as a communicative medi…Diegetic/Nondiegetic: A Theoretical Model (2009)Diegetic/Nondiegetic: A Theor…Remodeling Britney Spears: Matters of Intoxication and Mediation (2007)Remodeling Britney Spears: Ma…Semiotics, Pragmatics, and Metaphor in Film Music Analysis (2006)Semiotics, Pragmatics, and Me…Musical rhetoric in integrated-media composition (2006)Musical rhetoric in integrate…Is Funny Music Funny? Contexts and Case Studies of Film Music Humor (2002)Is Funny Music Funny? Context…The Body in the Mind (1987)Metaphors We Live By (2003)Metaphor and music (2008)Materializing Film Music (2016)Principles of Pragmatics (2016)Unheard melodies: narrative film music (1988)The Philosophical Writings of Descartes (1991)Handbook of social psychology (2004)A Laugh a Second? (2014)Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia (2017)Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship (2019)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Musical Wallpaper? (2012)Narration in the Fiction Film (2013)Understanding Video Game Music (2016)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Modernity at Large: Cultural Dimensions of Globalization. (1998)Beyond Personal Feelings and Collective Emotions: Toward a Theory of Social Affect (2012)New materialist social inquiry: designs, methods and the research-assemblage (2014)Theorizing affective ethnography for organization studies (2018)Film Language: A Semiotics of the Cinema. (1974)New Vocabularies in Film Semiotics (2005)Writing Culture (1986)We have never been modern (1994)We Have Never Been Modern (1994)The Reorganization of the Sensory World (2010)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Sound Studies Meets Deaf Studies (2012)Narrative Discourse: An Essay in Method (1980)Spaces, Gaps, and Levels (2012)Sound Design is the New Score (2019)A (Visual) Novel Route to Learning: A Taxonomy of Teaching Strategies in Visual Novels (2020)Simulacra and Simulation (1995)Sonic warfare: sound, affect, and the ecology of fear (2010)Enacting the Worlds of Cinema (2022)The expression of the emotions in man and animals. (1872)Relevance: Communication and Cognition (1986)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)The Socio-Educational Model of Music Motivation (2012)Enacting Musical Time (2019)Music as dialogic space in the promotion of peace, empathy and social inclusion (2019)Story and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The cultural logic of late capitalism (1991)Dialectic of Enlightenment, 2011 (2011)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Korngold in America (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Soundscapes: Toward a Sounded Anthropology374 cited
  • 2010The Non-diegetic Fallacy: Film, Music, and Narrative Space289 cited
  • 2010The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene176 cited
  • 2009Diegetic/Nondiegetic: A Theoretical Model117 cited
  • 2009Music as a communicative medium115 cited
  • 2013The End of Diegesis As We Know It?76 cited
  • 2002Is Funny Music Funny? Contexts and Case Studies of Film Music Humor51 cited
  • 2006Semiotics, Pragmatics, and Metaphor in Film Music Analysis46 cited
  • 2010Understanding the Score: Film Music Communicating to and Influencing the Audience46 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2015The Semantics of Musical Topoi39 cited
  • 2006Musical rhetoric in integrated-media composition38 cited
  • 2012Inside/Outside the Klein Bottle36 cited
  • 2007Remodeling Britney Spears: Matters of Intoxication and Mediation32 cited
  • 2012Introduction: Gender, Sexuality, and the Soundtrack29 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2023Gender-Konstruktion durch Filmmusik26 cited