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Contingency, Order, and the Modular Narrative: 21 Grams and Irreversible
11 references·0 citing·32 second hop
Contingency, Order, and the Modular Narrative: 21 Grams and Irreversible (2006)Contingency, Order, and the Modular Narra…The Cinema Effect (2004)The Cinema EffectThe Language of New Media (2002)The Language of New MediaThe Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)The Emergence of Cinematic Ti…Hot Spots, Avatars, and Narrative Fields Forever: Buñuel's Legacy for New Digital Media and Interactive Database Narrative (2002)Hot Spots, Avatars, and Narra…Chronoschisms: Time, Narrative, and Postmodernism (2000)Chronoschisms: Time, Narrativ…Hamlet on the holodeck: the future of narrative in cyberspace (1997)Hamlet on the holodeck: the f…Narrative Mortality: Death, Closure, and New Wave Cinemas (1994)Narrative Mortality: Death, C…Chaos Bound: Orderly Disorder in Contemporary Literature and Science. (1991)Chaos Bound: Orderly Disorder…Time and narrative (1986)Time and narrativeThe Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…The Culture of Time and Space, 1880-1918 (1983)The Culture of Time and Space…Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Knowledge and Critical Pedagogy (2008)Documents and Bureaucracy (2010)The Platformization of the Web: Making Web Data Platform Ready (2015)Anti-Oedipus: Capitalism and Schizophrenia. (1978)Complex narratives (2008)Mapping the digital empire: Google Earth and the process of postmodern cartography (2010)Documentary’s metamorphic form: Webdoc, interactive, transmedia, participatory and beyond (2012)Virtual interaction: Design factors affecting student satisfaction and perceived learning in asynchronous online courses (2001)Measures of Perceived Interactivity: An Exploration of the Role of Direction of Communication, User Control, and Time in Shaping Perceptions of Interactivity (2002)From Content to Context: Videogames as Designed Experience (2006)Picturizing science (2006)Accounting and everyday life: towards a cultural context for accounting research (2009)Cinema 3.0: The Interactive-Image (2010)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)The Cinema of Attractions Reloaded (2006)The Cultural Anthropology of Time: A Critical Essay (1992)The territorial trap: The geographical assumptions of international relations theory (1994)It's About Time: Temporal Structuring in Organizations (2002)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Critical frames in educational research: Feminist and post‐structural perspectives (1992)Fertile Obsession: Validity After Poststructuralism (1993)Sense‐making theory and practice: an overview of user interests in knowledge seeking and use (1998)Stories of Experience and Narrative Inquiry (1990)Narrative configuration in qualitative analysis (1995)The Logic of Violence in Civil War (2006)Ethics and nostalgia in the contemporary novel (2006)Rethinking time's arrow (2008)The Cambridge Introduction to the Novel (2010)
this work references cited by second hop

References

  • 2002The Language of New Media5,017 cited
  • 1997Hamlet on the holodeck: the future of narrative in cyberspace2,780 cited
  • 1986Time and narrative2,712 cited
  • 2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive1,051 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1983The Culture of Time and Space, 1880-1918595 cited
  • 1991Chaos Bound: Orderly Disorder in Contemporary Literature and Science.382 cited
  • 2004The Cinema Effect109 cited
  • 2000Chronoschisms: Time, Narrative, and Postmodernism95 cited
  • 2002Hot Spots, Avatars, and Narrative Fields Forever: Buñuel's Legacy for New Digital Media and Interactive Database Narrative56 cited
  • 1994Narrative Mortality: Death, Closure, and New Wave Cinemas55 cited

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