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This paper brings together narratology, game theory, and complexity theory to untangle the intricate nature of complex narratives in contemporary cinema. It interrogates the different terms – forking‐path narratives, mind‐game films, modular narratives, multiple‐draft films, database narratives, puzzle films, subjective stories, and network narratives – used in current film theory to discuss complex narratives.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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