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Memetic Perspectives on the Evolution of Tonal Systems in Music
16 references·0 citing·33 second hop
Memetic Perspectives on the Evolution of Tonal Systems in Music (2015)Memetic Perspectives on the Evolution of …A geometry of music: harmony and counterpoint in the extended common practice (2012)A geometry of music: harmony …A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …Music in the Galant Style (2007)Music in the Galant StyleThe meme machine (1999)The meme machineNeo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Darwin's dangerous idea : evolution and the meanings of life (1995)Darwin's dangerous idea : evo…D arwin's D angerous I dea (1995)D arwin's D angerous I deaThe Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The Analysis and Cognition of…Consciousness Explained (1993)Consciousness ExplainedIntroduction to Post-Tonal Theory (1991)Introduction to Post-Tonal Th…Style and music: theory, history, and ideology (1990)Style and music: theory, hist…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Exaptation—a Missing Term in the Science of Form (1982)Exaptation—a Missing Term in …The Structure of Atonal Music (1974)The Structure of Atonal MusicThe Structure of Atonal Music (1973)The Structure of Atonal MusicThe genetical evolution of social behaviour. I (1964)Flow: the psychology of optimal experience (1990)Social learning strategies (2004)Emotion Theory and Research: Highlights, Unanswered Questions, and Emerging Issues (2008)The Evolution of Language (2010)A Theory of Cognitive Dissonance (2017)The spandrels of San Marco and the Panglossian paradigm: a critique of the adaptationist programme (1979)Natural language and natural selection (1990)Adaptation and Natural Selection (2008)Imprinting: Toward a Multilevel Theory (2013)Positioning and Presenting Design Science Research for Maximum Impact1 (2013)Individual differences in reasoning: Implications for the rationality debate? (2000)Violent Offenders: Appraising and Managing Risk (2000)Microfoundations of Routines and Capabilities: Individuals, Processes, and Structure (2012)The Imaginary Museum of Musical Works (1994)Action, Criticism and Theory for Music Education (2004)Schema Theory as a Construction Grammar (2015)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Anatomy of a Performance: Sources of Musical Expression (1996)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Universals in the world’s musics (2011)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)The evolution of cultural evolution (2003)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Possible stages in the evolution of the language capacity (1999)Consciousness and its Place in Nature (2003)Solving the Emotion Paradox: Categorization and the Experience of Emotion (2006)
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References

  • 1982Exaptation—a Missing Term in the Science of Form5,133 cited
  • 1995Darwin's dangerous idea : evolution and the meanings of life1,998 cited
  • 1995D arwin's D angerous I dea1,978 cited
  • 1999The meme machine1,441 cited
  • 1993Consciousness Explained1,362 cited
  • 1973The Structure of Atonal Music501 cited
  • 1993The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model491 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 2007Music in the Galant Style432 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1974The Structure of Atonal Music297 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1991Introduction to Post-Tonal Theory277 cited
  • 2012A geometry of music: harmony and counterpoint in the extended common practice

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