Stray dog of anime: the films of Mamoru Oshii

Brian Ruh

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Cinema History and Criticism Japanese History and Culture Cinema and Media Studies

Abstract

1. An Introduction to Oshii 2. Urusei Yatsura (1981-84) 3. Angel's Egg (1985) 4. Twilight Q 2: Labyrinth Objects File 538 (1987) 5. Mobile Police Patlabor (1988-93) 6. Ghost in the Shell (1995) 7. Jin-Roh (2000) and Blood the Last Vampire (2000) 8. Avalon (2000) 9. Ghost in the Shell 2: Innocence (2004) 10. The Sky Crawlers (2008) 11. Assault Girls (2009) 12. Conclusion

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2007When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso 2008The Ghost in the City and a Landscape of Life: A Reading of Difference in Shirow and Oshii's Ghost in the Shell 2007The Quick and the Undead: Visual and Political Dynamics in Blood: The Last Vampire 2005‘Creating My Own Cultural and Spiritual Bubble’: Case of Cultural Consumption by Spiritual Seeker Anime Fans 2010Conceptualizing Anime And The Database Fantasyscape 2013The Shot Length Styles of Miyazaki, Oshii, and Hosoda: A Quantitative Analysis 2014The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii 2006Manga/anime, media mix: scholarship in a post-modern, global community

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