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Stray dog of anime: the films of Mamoru Oshii
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Stray dog of anime: the films of Mamoru Oshii (2004)Stray dog of anime: the films of Mamoru O…The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii (2014)The significance of anime as …The Shot Length Styles of Miyazaki, Oshii, and Hosoda: A Quantitative Analysis (2013)The Shot Length Styles of Miy…Conceptualizing Anime And The Database Fantasyscape (2010)Conceptualizing Anime And The…The Ghost in the City and a Landscape of Life: A Reading of Difference in Shirow and Oshii's Ghost in the Shell (2008)The Ghost in the City and a L…When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso (2007)When Pigs Fly: Anime, Auteuri…The Quick and the Undead: Visual and Political Dynamics in Blood: The Last Vampire (2007)The Quick and the Undead: Vis…Manga/anime, media mix: scholarship in a post-modern, global community (2006)Manga/anime, media mix: schol…‘Creating My Own Cultural and Spiritual Bubble’: Case of Cultural Consumption by Spiritual Seeker Anime Fans (2005)‘Creating My Own Cultural and…The Structure of Scientific Revolutions (1963)Content Analysis: An Introduction to its Methodology. (1984)The Postmodern Condition: A Report on Knowledge (1984)The Oxford guide to film studies (1999)Cinema Studies: The Key Concepts (2002)Anime from Akira to Howl's moving castle : experiencing contemporary Japanese animation (2005)Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory inSpirited Away (2015)Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism (2016)Blood read : the vampire as metaphor in contemporary culture (1997)From animation to anime : drawing movements and moving drawings (2002)Robot Ghosts and Wired Dreams : Japanese Science Fiction from Origins to Anime (2007)André Martin, Inventor of Animation Cinema (2014)Cartoon Film Theory (2014)Signatures of Motion (2014)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Difference and repetition (1994)Intensities of feeling: towards a spatial politics of affect (2004)Videographic geographies: Using digital video for geographic research (2010)Geographies of memory, place and identity: Intersections in remembering war and conflict (2016)Anime Landscapes as a Tool for Analyzing the Human–Environment Relationship: Hayao Miyazaki Films (2018)Qualitative evaluation and research methods (1990)Qualitative evaluation and research methods (1990)Qualitative evaluation and research methods, 2nd ed. (1990)Cultural Proximity and Reflexivity in Interpreting Transnational Media Texts: The Case of Malaysians Consuming Japanese Popular Culture (2014)Theorising the role of cultural products in cultural diplomacy from a Cultural Studies perspective (2014)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)Recentering Globalization: Popular Culture and Japanese Transnationalism (2002)Film History: An Introduction (1994)Intensified Continuity Visual Style in Contemporary American Film (2002)Manga! Manga! The World of Japanese Comics (1984)Japanese Subculture in the 1990s: Otaku and the Amateur Manga Movement (1998)Adult Manga: Culture and Power in Contemporary Japanese Society (2001)
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Cited by

  • 2007When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso27 cited
  • 2008The Ghost in the City and a Landscape of Life: A Reading of Difference in Shirow and Oshii's Ghost in the Shell24 cited
  • 2007The Quick and the Undead: Visual and Political Dynamics in Blood: The Last Vampire23 cited
  • 2005‘Creating My Own Cultural and Spiritual Bubble’: Case of Cultural Consumption by Spiritual Seeker Anime Fans12 cited
  • 2010Conceptualizing Anime And The Database Fantasyscape7 cited
  • 2013The Shot Length Styles of Miyazaki, Oshii, and Hosoda: A Quantitative Analysis7 cited
  • 2014The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii6 cited
  • 2006Manga/anime, media mix: scholarship in a post-modern, global community5 cited

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