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The Language of Fictional Television: Drama and Identity
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  • 2012Constructing ‘nerdiness’: Characterisation in The Big Bang Theory146 cited
  • 2013Humorous phenomena in dramatic discourse145 cited
  • 2016CLiC Dickens: novel uses of concordances for the integration of corpus stylistics and cognitive poetics98 cited
  • 2011Expressivity and televisual characterization92 cited
  • 2015Corpus-Assisted Multimodal Discourse Analysis of Television and Film Narratives90 cited
  • 2018Using films and TV series for ESP teaching: A multimodal perspective82 cited
  • 2016Extradiegetic and character laughter as markers of humorous intentions in the sitcom 2 Broke Girls69 cited
  • 2019Swearing and the vulgarization hypothesis in Spanish audiovisual translation68 cited
  • 2016With or without intentions: Accountability and (un)intentional humour in film talk68 cited
  • 2018Language and television series a linguistic approach to TV dialogue65 cited
  • 2013‘That is so cool’: investigating the translation of adverbial intensifiers in English-Spanish dubbing through a parallel corpus of sitcoms64 cited
  • 20172. Participation structure in fictional discourse: Authors, scriptwriters, audiences and characters59 cited
  • 2019‘Don’t say crap. Don’t use swear words.’ – Negotiating the use of swear/taboo words in the narrative mass media58 cited

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  • 2015“Wicked” women in contemporary pop culture: “bad” language and gender in Weeds, Nurse Jackie, and Saving Grace57 cited
  • 2016Analysing cinematic discourse using conversation analysis56 cited
  • 2016Adjective Intensification as a Means of Characterization55 cited