SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Review of Janet Schmalfeldt:In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music(Oxford University Press, 2011)
13 references·0 citing·21 second hop
Review of Janet Schmalfeldt:In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music(Oxford University Press, 2011) (2011)Review of Janet Schmalfeldt:In the Proces…Response to Mike Cheng-Yu Lee (2010)Response to Mike Cheng-Yu LeeOne More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives (2010)One More Time on Beethoven’s …Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata (2010)Formal Process, Sonata Theory…Beethoven’s “Tempest” Exposition (2010)Beethoven’s “Tempest” Exposit…A Response to Schmalfeldt’s “Form as Process of Becoming” (2010)A Response to Schmalfeldt’s “…Beethoven's Tempest Sonata (2009)Beethoven's Tempest SonataElements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Beyond the Sonata Principle (2002)Beyond the Sonata PrincipleClassical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Hegel: Three Studies (1993)Hegel: Three StudiesTowards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form (1991)Towards a Reconciliation of S…Adorno's Aesthetics of Music (1993)Compositions, Scores, Performances, Meanings (2012)In Search of Romantic Form (2013)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Music and Literature, A Comparison of the Arts (1950)Musical Form and Principles in the Scheme of Ulysses (1972)Musicology and Meaning (2003)The Classical Cadence: Conceptions and Misconceptions (2004)Extraordinary Measures (2011)Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Harmony in Beethoven (2016)Toward a Predictive Theory of Theme Types (2020)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Critical Media and Communication Studies Today. A Conversation (1970)Post-Maoism: Badiou and Politics (2005)Introduction: understanding the symphony (2013)Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (2013)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven699 cited
  • 2006Elements of Sonata Theory645 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form533 cited
  • 1993Hegel: Three Studies145 cited
  • 2002Beyond the Sonata Principle135 cited
  • 1991Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form84 cited
  • 2010Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata8 cited
  • 2010Beethoven’s “Tempest” Exposition5 cited
  • 2010One More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives4 cited
  • 2010Response to Mike Cheng-Yu Lee3 cited
  • 2010A Response to Schmalfeldt’s “Form as Process of Becoming”3 cited
  • 2009Beethoven's Tempest Sonata3 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work