New Collecting: Exhibiting and Audiences after New Media Art

Abstract

Contents: Foreword, Barbara London. Part I Documentation, Archive, Collection, Conservation: Introduction, Beryl Graham Modes of collection, Beryl Graham Collecting new-media art: just like anything else, only different, Steve Dietz Old media, new media? Significant difference and the conservation of software-based art, Pip Laurenson. Part II Producing, Collecting, Exhibiting: Self-collection, self-exhibition? Rhizome and the new museum, Heather Corcoran and Beryl Graham From exhibition to collection: Harris Museum and Art Gallery, Preston, Lindsay Taylor The museum as producer: processing art and performing a collection, Rudolf Frieling Objects, intent and authenticity: producing, selling and conserving media art, Caitlin Jones. Part III Audiences, Collections, Exhibitions: Curating emerging art and design at the Victoria and Albert Museum, Louise Shannon Collecting experience: the multiple incarnations of Very Nervous System, Lizzie Muller Murky categorization and bearing witness: the varied processes of the historicization of new media art, Sarah Cook. Index.

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