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New Collecting: Exhibiting and Audiences after New Media Art
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Cited by

  • 2019Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation15 cited
  • 2018Preservation and technological obsolescence: Portuguese contemporary musical heritage in perspective14 cited
  • 2018Drawings you can walk on – Mike Parr and the 20th Biennale of Sydney 20165 cited
  • 2019Art on Paper/Variable Installation: Sara Hughes’ Torpedo at the Art Gallery of New South Wales4 cited
  • 2020Physical object or variable, flexible, ephemeral and reproducible: the management and care of contemporary art collections in 20203 cited
  • 2018Multiplicity in the documentation of performance-based artworks: Displaying multi-media documentation in Rebecca Horn’sBody Sculpturesat Tate3 cited
  • 2016Reconstructing the archive: Access, documentation, conservation1 cited
  • 2021Exploring the Outlands : A Case-Study on the Conservation Installation and Artist Interview of David Haines’ and Joyce Hinterding’s Time-Based Art Installation1 cited

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