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The orchestral music of Michael Tippett: creative development and the compositional process
16 references·0 citing·35 second hop
The orchestral music of Michael Tippett: creative development and the compositional process (2015)The orchestral music of Michael Tippett: …The marriage of heaven and hell (2013)The marriage of heaven and he…Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (with a Note about Tippett) (2008)Ralph, Adeline, and Ursula Va…The Quest for Voice: Music, Politics, and the Limits of Philosophy (2000)The Quest for Voice: Music, P…The Stravinsky Legacy (1998)The Stravinsky LegacySkryabin and the Impossible (1998)Skryabin and the ImpossibleAfter the End of Art: Contemporary Art and the Pale of History (1998)After the End of Art: Contemp…The Romantic Generation (1995)The Romantic GenerationBeyond the Brillo Box: The Visual Arts in a Post-Historical Perspective (1993)Beyond the Brillo Box: The Vi…Interpreting Beethoven: History, aesthetics, and critical reception (1992)Interpreting Beethoven: Histo…The time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…Tippett, the composer and his music (1984)Tippett, the composer and his…The Selected Letters (1980)The Selected LettersFeeling and Form; a Theory of Art Developed from Philosphy in a New Key. (1955)Feeling and Form; a Theory of…Arrest and Movement. An Essay on Space and Time in the Representational Art of the Ancient Near East (1952)Arrest and Movement. An Essay…Erewhon, or, Over the range (1872)Erewhon, or, Over the rangeThe Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)Basic atonal theory (1980)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virtuosity and the Musical Work (2003)Virginia Woolf: A Biography (1973)Moments of Being (1985)A passionate apprentice: the early journals, 1897-1909 (1991)The Cambridge Companion to Michael Tippett (2013)The Cambridge Companion to Vaughan Williams (2013)Nationalisms, Modernisms and Masculinities: Strategies of Displacement in Vaughan Williams’s Reading of Walt Whitman (2016)Introduction to the Science of Sociology (1922)Case histories in the great power of steady misinterpretation. (1992)Disturbing Notions of Chronic Illness and Individual Responsibility: Towards a Genealogy of Morals (2002)Intention, history, and artifact concepts (1996)The German Aesthetic Tradition (2002)The artist and the brand (2005)Society, Meaning, Religion: Based on Self-Reference (1985)The Cambridge Companion to Jung (1997)The Cambridge History of Eighteenth-Century Political Thought (2006)The Persistence of Subjectivity (2005)Contemporary Art and the Politics of Aesthetics (2009)Modernism and the Ordinary (2009)On the role of critics in the culture industry (1995)The Routledge International Handbook of English, Language and Literacy Teaching (2010)Towards a Theory of Performance Reception (2014)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Form, Program, and Metaphor in the Music of Berlioz (2009)A Cultural History of the Irish Novel, 1790–1829 (2011)Fantasy Pieces (1999)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)The Cambridge Companion to the Symphony (2013)The Viennese symphony 1750 to 1827 (2013)
this work references cited by second hop

References

  • 1998After the End of Art: Contemporary Art and the Pale of History600 cited
  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 2013The marriage of heaven and hell235 cited
  • 1993Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective230 cited
  • 1995The Romantic Generation222 cited
  • 1955Feeling and Form; a Theory of Art Developed from Philosphy in a New Key.165 cited
  • 1872Erewhon, or, Over the range162 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 1984Tippett, the composer and his music86 cited
  • 2008Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (with a Note about Tippett)54 cited
  • 1980The Selected Letters54 cited
  • 1998The Stravinsky Legacy48 cited
  • 2000The Quest for Voice: Music, Politics, and the Limits of Philosophy45 cited
  • 1998Skryabin and the Impossible41 cited
  • 1952Arrest and Movement. An Essay on Space and Time in the Representational Art of the Ancient Near East37 cited
  • 1992Interpreting Beethoven: History, aesthetics, and critical reception

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