Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective

Abstract

In this collection of interconnected essays, Arthur C. Danto argues that Andy Warhol's Brillo Box of 1964 brought the established trajectory of Westen art to an end and gave rise to a pluralism which has changed the way art is made, perceived, and exhibited. Wonderfully illuminating and highly provocative, his essays explore how conceptions of art-and resulting historical narratives-differ according to culture. They also grapple with the most challenging issues in art today, including censorship and state support of artists.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 230 citations exist upstream.