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Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective
0 references·16 citing·56 second hopsampled
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  • 1996Intention, history, and artifact concepts566 cited
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  • 2002The German Aesthetic Tradition232 cited
  • 1998Technologies of truth: cultural citizenship and the popular media230 cited
  • 2007Photographs and accountability: cracking the codes of an NGO149 cited
  • 2013Exhibiting Cinema in Contemporary Art140 cited
  • 2011‘Spinning’ Warhol: Celebrity brand theoretics and the logic of the celebrity brand125 cited
  • 2003The German aesthetic tradition108 cited
  • 2005History of Modern Aesthetics103 cited
  • 1997Democratizing Culture or Cultural Democracy?101 cited
  • 2000Facts, Concepts, and Theories: The Shape of Psychology's Epistemic Triangle74 cited
  • 2010Drawing(Past, Present, and Future) Together: A(Graphic) Look at the Reconceptualization of Art Education70 cited
  • 2005Problems Confronting Visual Culture64 cited
  • 2005A Portrait of the Visual Arts: Meeting the Challenges of a New Era42 cited
  • 2006The role of cognitive competence in the art museum experience34 cited

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  • 2013‘The exploding plastic inevitable’: ‘Branding being’, brand Warhol & the factory years32 cited