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Enacting Gender on the English Renaissance Stage
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  • 2017Worldmaking56 cited
  • 2007Jessica's Mother: Medieval Constructions of Jewish Race and Gender in The Merchant of Venice49 cited
  • 2006Historica Passio : Early Modern Medicine, King Lear, and Editorial Practice45 cited
  • 2000Early Modern Controversies about the One-Sex Model17 cited
  • 2009Desire and dramatic form in early modern England14 cited
  • 2008“Rich Like a Lady”: Cross-Class Dressing in the Brothels and Theaters of Early Modern London12 cited
  • 2003"Ears Prejudicate" in Mariam and Duchess of Malfi12 cited
  • 2008Elizabethan Play-Boys in the Adult London Companies12 cited
  • 2016Discandying Cleopatra: Preserving Cleopatra’s Infinite Variety in Shakespeare’s Antony and Cleopatra10 cited
  • 2003Elizabeth I's "picture in little": Boy Company Representations of a Queen's Authority9 cited
  • 2004The theatrical revolution, 1776–18438 cited
  • 2014The Masque and the Matrix: Alice Egerton, Richard Napier, and Suffocation of the Mother7 cited
  • 2025Early Modern Women’s Writing and the Future of Literary History6 cited
  • 2004Theatre and mid-Victorian society, 1851–18706 cited
  • 2000

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Poetic Parthenogenesis and Spenser's Idea of Creation in The Faerie Queene
5 cited
  • 2004Gendering Victorian theatre5 cited