Impersonations: the performance of gender in Shakespeare's England

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Shakespeare, Adaptation, and Literary Criticism Theatre and Performance Studies Renaissance Literature and Culture

Abstract

1. Introduction 2. The performance of desire 3. The eye of the beholder 4. Call me Ganymede 5. Masculine apparel 6. Mankind witches 7. Visible figures.

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2000HOW TO DO THE HISTORY OF MALE HOMOSEXUALITY 2012Reading Roman Friendship 2002Speech and Performance in Shakespeare's Sonnets and Plays 2007Male Friendship in Shakespeare and his Contemporaries 2004Grocers, Goldsmiths, and Drapers: Freemen and Apprentices in the Elizabethan Theater 2016Desiring History and Historicizing Desire 2011Intimacy and Sexuality in the Age of Shakespeare 2004Widows and Suitors in Early Modern English Comedy

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