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Impersonations: the performance of gender in Shakespeare's England
0 references·16 citing·54 second hopsampled
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  • 2000HOW TO DO THE HISTORY OF MALE HOMOSEXUALITY234 cited
  • 2012Reading Roman Friendship185 cited
  • 2002Speech and Performance in Shakespeare's Sonnets and Plays153 cited
  • 2007Male Friendship in Shakespeare and his Contemporaries75 cited
  • 2004Grocers, Goldsmiths, and Drapers: Freemen and Apprentices in the Elizabethan Theater70 cited
  • 2016Desiring History and Historicizing Desire63 cited
  • 2011Intimacy and Sexuality in the Age of Shakespeare48 cited
  • 2004Widows and Suitors in Early Modern English Comedy48 cited
  • 2000The Politics of Access and Representations of the Sodomite King in Early Modern England48 cited
  • 2005Shakespeare's Humanism46 cited
  • 2008Work and Play on the Shakespearean Stage45 cited
  • 2004Status, Sodomy, and the Theater in Marlowe's Edward II39 cited
  • 2012Shakespeare and amateur performance: a cultural history37 cited
  • 2008Shakespeare, love and service36 cited
  • 2014Early, Erotic and Alien: Women Dressed as Men in Late Medieval London35 cited

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2018
Shakespeare, Love and Language
35 cited