Actors and Acting in Shakespeare's Time: The Art of Stage Playing

John H. Astington

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Theatre and Performance Studies Renaissance Literature and Culture Shakespeare, Adaptation, and Literary Criticism

Abstract

Introduction: the purpose of playing 1. Shadows, jests, and counterfeits 2. Playing and education 3. Apprentices 4. Playing many parts 5. Players at work 6. Conclusion Appendix. Principal actors 1558-1660 Bibliography.

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References

1999The Riverside Shakespeare 1986The Player's Passion: Studies in the Science of Acting 1989Worlds within Worlds 1988Playgoing in Shakespeare's London.1982The Anti-Theatrical Prejudice 2009The Elizabethan Stage 2009The Shakespearean Stage 1574–1642 1915University Drama in the Tudor Age.

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2015Shakespeare and the Visual Imagination 2012Rehearsal: The Pleasures of the Flesh 2018The Distribution and Ordering of Speeches and Shakespearean Revision 2018Men in The Making: Youth, the Repertory, and The "Children" Of the Queen'S Revels, 1609–13 2015The “Play-Boy,” the Female Performer, and the Art of Portraying a Lady 2013The Simpson players of Jacobean Yorkshire and the professional stage

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