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Radio Space and Industrial Time: The Case of Music Formats
10 references·11 citing·37 second hop
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this work references cited by second hop

References

  • 1986Noise: The Political Economy of Music1,617 cited
  • 2017Spatial divisions of labour: Social structures and the geography of production865 cited
  • 1950Empire and Communications716 cited
  • 1988Popular Music and Communication.291 cited
  • 1986Understanding Radio87 cited
  • 1989On the Radio: Music Radio in Britain79 cited
  • 1986Programming music: radio as mediator61 cited
  • 1988Music video in its contexts: popular music and post-modernism in the 1980s56 cited
  • 1986Mainstream Music and the Masses23 cited
  • 1988Locating listening: Technological space, popular music, Canadian mediations16 cited

Cited by

  • 2010Sound in the Age of Mechanical Reproduction62 cited
  • 2007Finding an alternative: Music programming in US college radio40 cited
  • 2012Radio Fields: Anthropology and Wireless Sound in the 21st Century40 cited
  • 2009Specialist music, public service and the BBC in the Internet age17 cited
  • 2011Music Radio and the Record Industry: Songs, Sounds, and Power14 cited
  • 2007The primary code: The meanings of John Peel, radio and popular music

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12 cited
  • 2009Cultural Technologies and the “Evolution” of Technological Cultures12 cited
  • 2008From liberalization to fragmentation: a sociology of French radio audiences since the 1990s and the consequences for cultural industries theory11 cited
  • 2008Developing a retro brand community: Re‐releasing and marketing anti‐apartheid protest music in post‐apartheid South Africa10 cited
  • 2009From BBC radio personality to online audience personae: the relevance of fan studies to Terry Wogan and the TOGs10 cited
  • 2007Making music radio: the record industry and popular music production in the UK3 cited