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Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
16 references·1 citing·28 second hop
Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work (2007)Analysis, Performance, and Images of Musi…Postmodern Music/Postmodern Thought (2013)Postmodern Music/Postmodern T…Beethoven's piano sonatas: a short companion (2002)Beethoven's piano sonatas: a …Analysis and (or?) performance (2002)Analysis and (or?) performanceThe Work-Concept and Composer-Centredness (2000)The Work-Concept and Composer…Looking Back at Ourselves: The Problem with the Musical Work-Concept (2000)Looking Back at Ourselves: Th…Circular Form in the "Tristan" Prelude (2000)Circular Form in the "Tristan…Classical Music and Postmodern Knowledge (1997)Classical Music and Postmoder…'If It's Baroque, Don't Fix It': Reflections on Lydia Goehr's 'Work-Concept' and the Historical Integrity of Musical Composition (1997)'If It's Baroque, Don't Fix I…Performance and analysis: interaction and interpretation (1995)Performance and analysis: int…Expression in performance: generativity, perception and semiosis (1995)Expression in performance: ge…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Musical Structure and Performance (1989)Musical Structure and Perform…On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…The "Objective" and Subjective View in Music Transcription (1977)The "Objective" and Subjectiv…Musical Form and Musical Performance (1971)Musical Form and Musical Perf…Teton Sioux Music (1918)Teton Sioux MusicThe Timbre of Thai Classical Singing (2012)The Timbre of Thai Classical …Analysing Performance and Performing Analysis (1999)In Respect of Performance: The View from Musicology (2003)The performance teacher as music analyst: a case study (2004)A spiral model of musical decision-making (2014)Creativity in performance (2005)Musical expression: an observational study of instrumental teaching (2008)Crossmodal interactions in the perception of expressivity in musical performance (2013)Analyzing Music under the New Musicological Regime (1997)The Exotic in Western Music (1999)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Musical Performance as Interpretation (1995)Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation1 (2007)Musical Forces and Melodic Patterns (2016)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Copyright, the Work and Phonographic Orality in Music (2006)Musical interpretation: philosophical and practical issues (2007)The Beethoven Syndrome (2020)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)From Policy “Frames” to “Framing” (2014)Between Process and Product (2001)The Half Cadence and Other Such Slippery Events (2014)Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores (2006)The Music of Louis Andriessen (2007)Advertising and the conquest of culture (2009)
this work references cited by second hop

References

  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1971Musical Form and Musical Performance174 cited
  • 2013Postmodern Music/Postmodern Thought151 cited
  • 1997Classical Music and Postmodern Knowledge140 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
  • 1995Expression in performance: generativity, perception and semiosis117 cited
  • 1995Performance and analysis: interaction and interpretation107 cited
  • 1989Musical Structure and Performance97 cited
  • 2002Analysis and (or?) performance67 cited
  • 2000The Work-Concept and Composer-Centredness53 cited
  • 1918Teton Sioux Music53 cited
  • 2000Looking Back at Ourselves: The Problem with the Musical Work-Concept49 cited
  • 2000Circular Form in the "Tristan" Prelude44 cited
  • 2002Beethoven's piano sonatas: a short companion43 cited
  • 1977The "Objective" and Subjective View in Music Transcription42 cited
  • 1997'If It's Baroque, Don't Fix It': Reflections on Lydia Goehr's 'Work-Concept' and the Historical Integrity of Musical Composition

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38 cited

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  • 2012The Timbre of Thai Classical Singing5 cited