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Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas
3 references·15 citing·39 second hop
Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas (2006)Pacific Performances: Theatricality and C…The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Archive and the Repertoir…Mimesis and alterity: a particular history of the senses (1993)Mimesis and alterity: a parti…Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific (1993)Entangled Objects: Exchange, …Theaterwissenschaft postkolonial/dekolonial (2022)Theaterwissenschaft postkolon…Big men, wantoks and donors: A political sociology of public service reform in Solomon Islands (2021)Big men, wantoks and donors: …Three Eras of Indonesian Arts Diplomacy (2019)Three Eras of Indonesian Arts…From 'Stone-Age' to 'Real-Time': Exploring Papuan Temporalities, Mobilities and Religiosities (2015)From 'Stone-Age' to 'Real-Tim…From ‘Stone-Age’ to ‘Real-Time’: Exploring Papuan Temporalities, Mobilities and Religiosities – An Introduction (2015)From ‘Stone-Age’ to ‘Real-Tim…Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand (2015)Beyoncé’s Response (eh?): Fee…Gender on the Edge (2014)Gender on the EdgeCulture moves?: The Festival of Pacific Arts and Dance Remix in Oceania (2014)Culture moves?: The Festival …Dancing the Transcultural across the South (2012)Dancing the Transcultural acr…Choreographing Difference: The (Body) Politics of Banaban Dance (2012)Choreographing Difference: Th…Keskidee Aroha: Translation on the Colonial Stage (2011)Keskidee Aroha: Translation o…A Piece "More Curious Than All the Rest": Re-Encountering Pre-Colonial Pacific Island Theatre, 1769-1855 (2011)A Piece "More Curious Than Al…"Our Ancestors that We Carry on Our Backs": Restaging Hawaii's History in the Plays of Victoria Nalani Kneubuhl (2011)"Our Ancestors that We Carry …Intercultural Theatre today (2010) (2010)Intercultural Theatre today (…Austronesian Soundscapes : Performing Arts in Oceania and Southeast Asia (2010)Austronesian Soundscapes : Pe…Islands of history (1985)5. The Practice of Everyday Life (2000)Introduction: New Directions? (2018)Modernity at Large: Cultural Dimensions of Globalization. (1998)Even as We Keep Trying: An Ethics of Interculturalism in Jérôme Bel's Pichet Klunchun and Myself (2014)Experimental Beckett (2020)Love Dances (2021)Crafting selves: power, gender, and discourses of identity in a Japanese workplace (1990)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Culture, Power, Place (1997)How (not) to Globalize Oceania: Ecology and Politics in Contemporary Pacific Island Performance Arts (2018)Anthropocene Islands: Entangled Worlds (2021)Anthropocene islands: There are only islands after the end of the world (2021)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Time and the Other: How Anthropology Makes Its Object (1983)West Papua, Indonesia and the Melanesian Spearhead Group: competing logics in regional and international politics (2016)Wrathful Ancestors, Corporate Sorcerers: Rituals gone Rogue in Merauke, West Papua (2019)The condition of market emergence in Indonesia : coloniality as exclusion and translation. (2026)The Politics of Recognition (1995)Cosmopolitan Patriots (1997)Metaculture: How Culture Moves through the World (2001)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Teaching to transgress: education as the practice of freedom (1995)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Decolonisation and Performance Studies: Questions from the Border (2023)Gender Trouble: Feminism and the Subversion of Identity (1991)The Location of Culture (2012)Gender and sexuality I (2015)Language, Gender, and Sexuality (2019)The Nonbinary Fraction: Looking Towards the Future of Gender Equity in Astronomy (2019)Race and the Education of Desire (1995)Voices of Modernity (2003)Human-Machine Reconfigurations: Plans and Situated Actions (2006)9. The Generation Of Postmemory (2008)The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia (2017)Exemplary Ethics in Ancient Rome (2018)Cutting the Network (1996)The cultural biography of objects (1999)Economization, part 2: a research programme for the study of markets (2010)
this work references cited by second hop

References

  • 1993Mimesis and alterity: a particular history of the senses3,316 cited
  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 1993Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific944 cited

Cited by

  • 2014Gender on the Edge70 cited
  • 2010Intercultural Theatre today (2010)46 cited
  • 2022Theaterwissenschaft postkolonial/dekolonial41 cited
  • 2012Choreographing Difference: The (Body) Politics of Banaban Dance40 cited
  • 2015From ‘Stone-Age’ to ‘Real-Time’: Exploring Papuan Temporalities, Mobilities and Religiosities – An Introduction28 cited
  • 2019Three Eras of Indonesian Arts Diplomacy23 cited
  • 2011A Piece "More Curious Than All the Rest": Re-Encountering Pre-Colonial Pacific Island Theatre, 1769-185517 cited
  • 2015From 'Stone-Age' to 'Real-Time': Exploring Papuan Temporalities, Mobilities and Religiosities15 cited
  • 2014Culture moves?: The Festival of Pacific Arts and Dance Remix in Oceania14 cited
  • 2015Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand10 cited
  • 2011Keskidee Aroha: Translation on the Colonial Stage8 cited
  • 2012

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Dancing the Transcultural across the South
7 cited
  • 2010Austronesian Soundscapes : Performing Arts in Oceania and Southeast Asia6 cited
  • 2021Big men, wantoks and donors: A political sociology of public service reform in Solomon Islands6 cited
  • 2011"Our Ancestors that We Carry on Our Backs": Restaging Hawaii's History in the Plays of Victoria Nalani Kneubuhl5 cited