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Radical Stroytelling: Performing Process in Canadian Popular Theatre
15 references·1 citing·36 second hop
Radical Stroytelling: Performing Process in Canadian Popular Theatre (2003)Radical Stroytelling: Performing Process …Performing democracy: international perspectives on urban community-based performance (2002)Performing democracy: interna…21 FROM A POETICS OF POSTMODERNISM (2002)21 FROM A POETICS OF POSTMODE…Workers' Playtime: Theatre and the Labour Movement Since 1970 (2001)Workers' Playtime: Theatre an…Change on Whose Terms? Testimony and an Erotics of Injury (2001)Change on Whose Terms? Testim…The radical in performance: between Brecht and Baudrillard (2000)The radical in performance: b…Popular Theatre in Political Culture: Britain and Canada in focus (2000)Popular Theatre in Political …Scandalous Bodies: Diasporic Literature in English Canada (1999)Scandalous Bodies: Diasporic …Looking White People in the Eye (1998)Looking White People in the E…Unmaking Mimesis: Essays on Feminism and Theatre (1997)Unmaking Mimesis: Essays on F…The Art of Witness in Popular Theatre (1997)The Art of Witness in Popular…Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal (1996)Performing Emergency: Witness…Mirror Machine : Video and Identity (1995)Mirror Machine : Video and Id…Unmarked: the politics of performance (1994)Unmarked: the politics of per…The Rainbow of Desire: The Boal Method of Theatre and Therapy (1994)The Rainbow of Desire: The Bo…Collective Encounters: Documentary Theatre in English Canada (1988)Collective Encounters: Docume…The Bridge: Toward Relational Aesthetic Inquiry in the Montreal Life Stories Project (2011)The Bridge: Toward Relational…Why Doesn't This Feel Empowering? Working Through the Repressive Myths of Critical Pedagogy (1989)Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)Mimesis and alterity: a particular history of the senses (1993)Performing absence: The staged personal narrative as testimony (2000)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)Critical Theory and Performance (1993)Unmarked: The Politics of Performance (1994)Lost Subjects, Contested Objects: Toward a Psychoanalytic Inquiry of Learning (1998)Refugee performance: aesthetic representation and accountability in playback theatre (2008)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Closing statement : Linguistics and poetics (1960)Problems in general linguistics (1971)Public memorializing in postmodernity: The Vietnam veterans memorial as prototype (1991)From segmentation to fragmentation (1997)The Global Politics of Contemporary Travel Writing (2006)The Cambridge History of British Theatre (2004)Acts of activism: human rights as radical performance (2011)Mapping Intermediality in Performance (2011)Negotiating hybridity: transnational reconstruction of migrant subjectivity in Koreatown, Los Angeles (2008)Asia in the Mix: Urban form and Global Mobilities – Hong Kong, Vancouver, Dubai (2011)Worldmaking (2017)The Mirage of an Unmarked Whiteness (2001)Imperilled Muslim Women, Dangerous Muslim Men and Civilised Europeans: Legal and Social Responses to Forced Marriages (2004)Othering and Being Othered in the Context of Health Care Services (2004)`Reclaiming' the Female Body: Embodied Identity Work, Resistance and the Grotesque (1998)Modernism, Postmodernism, and the Problem of the Visual in Afro-American Culture (2004)Shakespeare, Spectatorship and the Technologies of Performance (2020)The Cambridge Introduction to Theatre Studies (2008)Puro arte: Filipinos on the stages of empire (2013)The Perpetual Immigrant and the Limits of Athenian Democracy (2018)Hegemonic masculinity: combining theory and practice in gender interventions (2015)Race and language teaching (2020)Exploring Risky Youth Experiences: Popular Theatre as a Participatory, Performative Research Method (2004)On the Political Uses of Folklore: Performance and Grassroots Feminist Activism in India (2008)Acting Up: Theater of the Oppressed as Critical Ethnography (2009)
this work references cited by second hop

References

  • 200221 FROM A POETICS OF POSTMODERNISM754 cited
  • 1994The Rainbow of Desire: The Boal Method of Theatre and Therapy632 cited
  • 1998Looking White People in the Eye521 cited
  • 1994Unmarked: the politics of performance308 cited
  • 1997Unmaking Mimesis: Essays on Feminism and Theatre278 cited
  • 2000The radical in performance: between Brecht and Baudrillard249 cited
  • 1999Scandalous Bodies: Diasporic Literature in English Canada201 cited
  • 2000Popular Theatre in Political Culture: Britain and Canada in focus73 cited
  • 1996Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal59 cited
  • 2001Change on Whose Terms? Testimony and an Erotics of Injury59 cited
  • 2001Workers' Playtime: Theatre and the Labour Movement Since 197033 cited
  • 1988Collective Encounters: Documentary Theatre in English Canada32 cited
  • 2002Performing democracy: international perspectives on urban community-based performance22 cited
  • 1995Mirror Machine : Video and Identity21 cited
  • 1997The Art of Witness in Popular Theatre6 cited

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The Bridge: Toward Relational Aesthetic Inquiry in the Montreal Life Stories Project
5 cited