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Chapter 14 Empirical Studies of Demand for the Performing Arts
16 references·16 citing·34 second hopsampled
Chapter 14 Empirical Studies of Demand for the Performing Arts (2006)Chapter 14 Empirical Studies of Demand fo…Economics of the Performing Arts (2019)Economics of the Performing A…Entrepreneurship, Social Mobility, and Income Redistribution in South India (2016)Entrepreneurship, Social Mobi…De gustibus non est disputandum (2010)De gustibus non est disputand…A Handbook of Cultural Economics (2003)A Handbook of Cultural Econom…The Economics of Art and Culture (2001)The Economics of Art and Cult…What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education (1997)What about the univores? Musi…Microeconomics and Behavior (1996)Microeconomics and Behavior2. De Gustibus Non Est Disputandum (1996)2. De Gustibus Non Est Disput…The Production and Consumption of the Arts: A View of Cultural Economics (1994)The Production and Consumptio…Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…A Theory of Rational Addiction (1988)A Theory of Rational AddictionPredictors of Attendance at the Performing Arts (1980)Predictors of Attendance at t…On the New Theory of Consumer Behavior (1973)On the New Theory of Consumer…Habit Formation and Dynamic Demand Functions (1970)Habit Formation and Dynamic D…Performing Arts: The Economic Dilemma (1967)Performing Arts: The Economic…A Theory of the Allocation of Time (1965)A Theory of the Allocation of…Income and cultural consumption in China: A theoretical analysis and a regional empirical evidence (2023)Income and cultural consumpti…Spatially Disaggregated Cultural Consumption: Empirical Evidence of Cultural Sustainability from Austria (2020)Spatially Disaggregated Cultu…International heterogeneity in the associations of new business models and broadband Internet with music revenue and piracy (2019)International heterogeneity i…Cultural participation in major Chinese cities (2018)Cultural participation in maj…Music education promotes lifelong engagement with the arts (2017)Music education promotes life…Opportunities for cultural consumption: How is cultural participation in Switzerland shaped by regional cultural infrastructure? (2016)Opportunities for cultural co…Stochastic Dynamic Pricing and Advertising in Isoelastic Oligopoly Models (2015)Stochastic Dynamic Pricing an…Participation in cultural activities: specification issues (2015)Participation in cultural act…Couples’ arts participation: assessing individual and joint time use (2015)Couples’ arts participation: …The Revenue Gains from Multi‐Tier Ticket Pricing: Evidence from Pop Music Concerts (2012)The Revenue Gains from Multi‐…Estimating demand for opera using sales system data: the case of Finnish National Opera (2012)Estimating demand for opera u…Motivational and Demographic Factors for Performing Arts Attendance Across Place and Form (2011)Motivational and Demographic …Empirical Evidence of the Effects of Marriage on Male and Female Attendance at Sports and Arts (2010)Empirical Evidence of the Eff…Cool, funky and creative? The creative class and preferences for leisure and culture (2010)Cool, funky and creative? The…The demand for creative arts in regional Victoria, Australia (2009)The demand for creative arts …Full-income and price elasticities of demand for German public theatre (2009)Full-income and price elastic…The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry (2003)The Theory of the Leisure Class (2009)TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR? (2010)Linear Expenditure Systems and Demand Analysis: An Application to the Pattern of British Demand (1954)Education and Nonmarket Outcomes (2005)Life cycle happiness and its sources (2006)Some Uses of Happiness Data in Economics (2006)Reproduction in Education, Society and Culture (1978)Reproduction in Education, Society and Culture (1979)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Culture, Class, and Connections (1996)How Cultural Tastes Shape Personal Networks (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)The Theory of Moral Sentiments (1759)A Theory of Social Interactions (1974)The New Institutionalism: Organizational Factors in Political Life (1983)Social Theory of International Politics (1999)Does Culture Affect Economic Outcomes? (2006)The Theory of Economic Development: An Inquiry into Profits, Capital, Credit, Interest, and the Business Cycle (1934)A CRITIQUE OF DEFINITIONS OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICY (2007)Do Creative Industries Cluster? Mapping Creative Local Production Systems in Italy and Spain (2008)Four models of the creative industries (2008)Out of Control: Visceral Influences on Behavior (1996)Doing It Now or Later (1999)Time Discounting and Time Preference: A Critical Review (2002)Human Capital, Effort, and the Sexual Division of Labor (1985)Beyond SES: A Resource Model of Political Participation (1995)''Bargaining'' and Gender Relations: Within and Beyond the Household (1997)Habit Formation: A Resolution of the Equity Premium Puzzle (1990)Collective Identity Formation and the International State (1994)MACROECONOMICS OF UNBALANCED GROWTH: THE ANATOMY OF THE URBAN CRISES (1967)Equality, Employment, and Budgetary Restraint: The Trilemma of the Service Economy (1998)ARTISTIC LABOR MARKETS AND CAREERS (1999)
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References

  • 1965A Theory of the Allocation of Time10,338 cited
  • 1988A Theory of Rational Addiction3,870 cited
  • 2010De gustibus non est disputandum2,282 cited
  • 2016Entrepreneurship, Social Mobility, and Income Redistribution in South India1,530 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 19962. De Gustibus Non Est Disputandum1,110 cited
  • 1970Habit Formation and Dynamic Demand Functions827 cited
  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 2003A Handbook of Cultural Economics637 cited
  • 1967Performing Arts: The Economic Dilemma558 cited
  • 1973On the New Theory of Consumer Behavior492 cited
  • 2001The Economics of Art and Culture378 cited
  • 1996Microeconomics and Behavior341 cited
  • 1997What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education194 cited
  • 2019Economics of the Performing Arts193 cited
  • 1980Predictors of Attendance at the Performing Arts

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176 cited

Cited by

  • 2009Full-income and price elasticities of demand for German public theatre98 cited
  • 2018Cultural participation in major Chinese cities38 cited
  • 2011Motivational and Demographic Factors for Performing Arts Attendance Across Place and Form36 cited
  • 2010Cool, funky and creative? The creative class and preferences for leisure and culture34 cited
  • 2010Empirical Evidence of the Effects of Marriage on Male and Female Attendance at Sports and Arts30 cited
  • 2015Participation in cultural activities: specification issues29 cited
  • 2015Couples’ arts participation: assessing individual and joint time use29 cited
  • 2012Estimating demand for opera using sales system data: the case of Finnish National Opera28 cited
  • 2019International heterogeneity in the associations of new business models and broadband Internet with music revenue and piracy28 cited
  • 2015Stochastic Dynamic Pricing and Advertising in Isoelastic Oligopoly Models28 cited
  • 2016Opportunities for cultural consumption: How is cultural participation in Switzerland shaped by regional cultural infrastructure?26 cited
  • 2017Music education promotes lifelong engagement with the arts19 cited
  • 2020Spatially Disaggregated Cultural Consumption: Empirical Evidence of Cultural Sustainability from Austria17 cited
  • 2012The Revenue Gains from Multi‐Tier Ticket Pricing: Evidence from Pop Music Concerts16 cited
  • 2023Income and cultural consumption in China: A theoretical analysis and a regional empirical evidence15 cited
  • 2009The demand for creative arts in regional Victoria, Australia13 cited