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Die Symphonie Anton Bruckners
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Die Symphonie Anton Bruckners (2002)Die Symphonie Anton BrucknersForm and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Form and Orbital Tonality in …Jan Philipp Sprick, Die Sequenz in der deutschen Musiktheorie um 1900, Hildesheim: Olms 2012 (= Studien zur Geschichte der Musiktheorie 9) (2014)Jan Philipp Sprick, Die Seque…Tonal strategies in the nineteenth-century symphony (2013)Tonal strategies in the ninet…The symphony since Mahler: national and international trends (2013)The symphony since Mahler: na…The symphony in Britain: guardianship and renewal (2013)The symphony in Britain: guar…The Cambridge Companion to the Symphony (2013)The Cambridge Companion to th…Other classical repertories (2013)Other classical repertoriesIntroduction: understanding the symphony (2013)Introduction: understanding t…Harmonies and effects: Haydn and Mozart in parallel (2013)Harmonies and effects: Haydn …Cyclical thematic processes in the nineteenth-century symphony (2013)Cyclical thematic processes i…Beethoven’s shadow: the nineteenth century (2013)Beethoven’s shadow: the ninet…Kurth's "Bruckner" and the Adagio of the Seventh Symphony (1988)Kurth's "Bruckner" and the Ad…The Language of Music (1959)Emotion and Meaning in Music (1961)The Composer's Voice (1974)“As Forming Becomes Form” (2017)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Feminine Endings: Music, Gender, and Sexuality (1992)The New Grove dictionary of music and musicians (2001)The Anxiety of Influence: A Theory of Poetry (1974)Introduction to the Sociology of Music. (1977)Classical Form (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)The Romantic Overture and Musical Form from Rossini to Wagner. By Steven Vande Moortele (2019)Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century (2021)Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony (2021)Versuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832 (1830)Versuch einer Anleitung zur Composition (1969)Die Musik in Geschichte und Gegenwart (1989)Sequences (2018)Von der langsamen Einleitung zur Schlussapotheose. Die zwei Typen der Moll- Dur-Dramaturgie in Pariser Opernouvertüren des späten 18. Jahrhunderts und ihre Relevanz für Beethoven (2020)Music and the Agents of Obsession (2016)
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Cited by

  • 2013The Cambridge Companion to the Symphony22 cited
  • 2018Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony10 cited
  • 1988Kurth's "Bruckner" and the Adagio of the Seventh Symphony8 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2013The symphony in Britain: guardianship and renewal3 cited
  • 2014Jan Philipp Sprick, Die Sequenz in der deutschen Musiktheorie um 1900, Hildesheim: Olms 2012 (= Studien zur Geschichte der Musiktheorie 9)3 cited
  • 2013Introduction: understanding the symphony3 cited
  • 2013Beethoven’s shadow: the nineteenth century3 cited
  • 2013The symphony since Mahler: national and international trends2 cited
  • 2013Harmonies and effects: Haydn and Mozart in parallel2 cited
  • 2013Tonal strategies in the nineteenth-century symphony2 cited

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