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Castiglione: The Ideal and the Real in Renaissance Culture
0 references·16 citing·36 second hop
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  • 2005The Italian Encounter with Tudor England144 cited
  • 1983A Sixteenth-Century Attempt at Music Criticism86 cited
  • 1994Fictions of the Pose: Facing the Gaze of Early Modern Portraiture55 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2015The Cambridge Companion to French Music33 cited
  • 1920Translation and the Book Trade in Early Modern Europe32 cited
  • 2000Joking Matters: Politics and Dissimulation in Castiglione's Book of the Courtier27 cited
  • 1997Meanings and contexts: Mr Skinner's Hobbes and the English mode of political theory*25 cited
  • 2019Music in the Early Colonial World24 cited
  • 2020Renaissance Polyphony23 cited
  • 2015The Renaissance21 cited
  • 2012The Path of the Courtier: Castiglione, Machiavelli, and the Loss of Republican Liberty20 cited
  • 2001Assumed Simplicity and the Critique of Nobility: Or, How Castiglione Read Cicero19 cited
  • 1994Woman's Capacity to Create: The Unusual Case of Sofonisba Anguissola18 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited

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  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited