Off the Planet: Music, Sound and Science Fiction Cinema

Philip Hayward

52 citations0/0 files storedCross Connect (Southern Cross University)

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Musicology and Musical Analysis Sound Studies and Aurality

Abstract

A lively, stimulting and diverse collection of essays on aspects of music, sound and Science Fiction cinema. Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyse key films, film series, composers and directors in the post-War era.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 52 citations exist upstream.

Cited by

2012Beneath sci-fi sound 2013Star Trek and the Musical Depiction of the Alien Other 2016Story-Music / Discourse-Music: Analyzing the Relationship between Placement and Function of Music in Films 2015A Series on the Edge: Social Tension inStar Trek's Title Cue 2021Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006)2011The Dark Side: representing science fiction in drum ‘n’ bass 2014Strange Voices: Subjectivity and Gender inForbidden Planet’s Soundscape of Tomorrow 2017Do You Hear the People Sing? Theater and Theatricality in the Trump Campaign

Imported from OpenAlex (CC0) — nothing here is generated.