The Dark Side: representing science fiction in drum ‘n’ bass

Abstract

The genre of drum ’n’ bass emerged in early 1990s England, as part of a burgeoning yet underground electronic dance music scene. The musical characteristics of drum ’n’ bass reflected the dire socioeconomic conditions of inner city London, as well as the social and cultural dislocation experienced by its producers. Ideologies of Afrofuturism, as well as sound clips, affects and themes from science fiction film served as a means of expression in drum ’n’ bass, and producers drew upon the genres of funk, hip-hop, techno and ambient, utilizing sounds and techniques pioneered by dub reggae producers. In this paper, I will uncover the sonic history of science fiction in drum ’n’ bass, and examine sci-fi's musical manifestations within drum ’n’ bass. Ultimately, I will focus on how the incorporation of science fiction creates emotional complexity and narrative in drum ’n’ bass.

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