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The Dark Side: representing science fiction in drum ‘n’ bass
10 references·1 citing·31 second hop
The Dark Side: representing science fiction in drum ‘n’ bass (2011)The Dark Side: representing science ficti…Afrofuturism, science fiction, and the history of the future (2006)Afrofuturism, science fiction…Off the Planet: Music, Sound and Science Fiction Cinema (2004)Off the Planet: Music, Sound …Space oddities: aliens, futurism and meaning in popular music (2003)Space oddities: aliens, futur…Discographies (2002)DiscographiesDiscographies: dance music, culture and the politics of sound (2000)Discographies: dance music, c…More Brilliant Than the Sun: Adventures in Sonic Fiction (1998)More Brilliant Than the Sun: …Generation Ecstasy: Into the World of Techno and Rave Culture (1998)Generation Ecstasy: Into the …The Black Atlantic: Modernity and Double Consciousness. (1997)The Black Atlantic: Modernity…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…Extended Play: Sounding off from John Cage to Dr Funkenstein (1994)Extended Play: Sounding off f…Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Drum ‘n’ Bass (2020)Bring the Break-Beat Back! Au…Powers of Horror: An Essay on Abjection (1984)Noise, the Political Economy of Music (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Aliens Are Us: Cosmic Liminality, Remixticism, andAlienation in Psytrance (2013)HIP-HOP HABITUS v.2.0 (2014)George Clinton and David Bowie: The Space Race in Black and White (2016)Archaeologies of the future: the desire called utopia and other science fictions (2006)Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (2006)Black Girls Are from the Future: Afrofuturist Feminism in Octavia E. Butler's Fledgling (2012)All Power to All People? (2017)Einleitung. Wider dem Utopieverdruss. Queer*feministische Überlegungen zum Stand der Debatte (2019)Beneath sci-fi sound (2012)Star Trek and the Musical Depiction of the Alien Other (2013)Story-Music / Discourse-Music: Analyzing the Relationship between Placement and Function of Music in Films (2016)Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities (2001)“Feenin” (2002)The Marketplace Management of Illicit Pleasure (2008)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed (2011)Introduction (2002)The Ships Landed Long Ago: Afrofuturism and Black SF (2007)Performing identity within a multicultural framework (2005)Dance and Sexuality: Many Moves (2010)Further Considerations of Afrofuturism (2003)The mp3 as cultural artifact (2006)The Oxford Handbook of The American Musical (2011)
this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1998More Brilliant Than the Sun: Adventures in Sonic Fiction617 cited
  • 2000Discographies: dance music, culture and the politics of sound347 cited
  • 1998Generation Ecstasy: Into the World of Techno and Rave Culture336 cited
  • 2006Afrofuturism, science fiction, and the history of the future213 cited
  • 1994Extended Play: Sounding off from John Cage to Dr Funkenstein163 cited
  • 2002Discographies137 cited
  • 2003Space oddities: aliens, futurism and meaning in popular music64 cited
  • 2004Off the Planet: Music, Sound and Science Fiction Cinema52 cited

Cited by

  • 2020Bring the Break-Beat Back! Authenticity and the Politics of Rhythm in Drum ‘n’ Bass3 cited

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