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Performance, game, and representation in Richard III
16 references·0 citing·29 second hop
Performance, game, and representation in Richard III (2008)Performance, game, and representation in …3 Performativity and performance (2024)3 Performativity and performa…The Business of Playing (2020)The Business of PlayingThe Elizabethan Stage (2009)The Elizabethan StageAuthor's Pen and Actor's Voice (2000)Author's Pen and Actor's VoiceReading Holinshed's Chronicles (1995)Reading Holinshed's ChroniclesNotorious identity: materializing the subject in Shakespeare (1994)Notorious identity: materiali…From text to performance in the Elizabethan theatre: preparing the play for the stage (1992)From text to performance in t…Rival playwrights: Marlowe, Jonson, Shakespeare (1991)Rival playwrights: Marlowe, J…A Sociosemiotic Theory of Theatre (1990)A Sociosemiotic Theory of The…Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. (1988)Shakespeare's Clown: Actor an…The Imaginary Institution of Society (1987)The Imaginary Institution of …The Drama of Dissent: The Radical Poetics of Nonconformity, 1380–1590. (1987)The Drama of Dissent: The Rad…Shakespeare's Clown (1987)Shakespeare's ClownCarnival and theater: Plebeian culture and the structure of authority in Renaissance England (1985)Carnival and theater: Plebeia…Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages (1965)Literary Language and Its Pub…From Mankind to Marlowe (1962)From Mankind to MarloweBifold Authority in Shakespeare's Theatre (1988)The Cambridge History of British Theatre (2004)The Tragedy of King Lear (2005)The printing revolution in early modern Europe (1993)The Printing Revolution in Early Modern Europe (2005)The Book of Memory (2008)Imagining Solidarity: Cosmopolitanism, Constitutional Patriotism, and the Public Sphere (2002)Intersectionality and Feminist Politics (2006)What is Degrowth? From an Activist Slogan to a Social Movement (2013)The Cambridge History of the Book in Britain (2002)The Identity of ‘Anthony Rivers’ (2002)The Shakespearean Stage 1574–1642 (2009)Provisional notes on the postcolony (1992)Popular Religion and Appropriation: The Example of Corpus Christi in Eighteenth-Century Cuzco (1996)The Local and the Global (2007)Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)Performing Disability and Theorizing Deformity (2013)Reformed literature and literature reformed (1999)Theatrical Convention and Audience Response in Early Modern Drama (2002)Literature and London (2003)Early Modern Collaboration and Theories of Authorship (2001)Shakespeare and the Force of Modern Performance (2003)The Cambridge History of Early Modern English Literature (2003)Strange weather inKing Lear (2010)Shakespeare's Domestic Tragedies (2019)Shakespeare, Spectatorship and the Technologies of Performance (2020)The Structural Transformation of Print in Late Elizabethan England (2003)Shakespeare and Republicanism (2005)Shakespeare's History Plays (2012)
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References

  • 1987The Imaginary Institution of Society2,832 cited
  • 1965Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages433 cited
  • 2009The Elizabethan Stage303 cited
  • 1962From Mankind to Marlowe256 cited
  • 1987Shakespeare's Clown209 cited
  • 1985Carnival and theater: Plebeian culture and the structure of authority in Renaissance England173 cited
  • 1995Reading Holinshed's Chronicles157 cited
  • 2000Author's Pen and Actor's Voice146 cited
  • 2020The Business of Playing137 cited
  • 1994Notorious identity: materializing the subject in Shakespeare118 cited
  • 1988Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse.101 cited
  • 1987The Drama of Dissent: The Radical Poetics of Nonconformity, 1380–1590.99 cited
  • 1991Rival playwrights: Marlowe, Jonson, Shakespeare98 cited
  • 20243 Performativity and performance93 cited
  • 1990A Sociosemiotic Theory of Theatre87 cited
  • 1992From text to performance in the Elizabethan theatre: preparing the play for the stage78 cited

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